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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Wordless Presence

Richard J. Clark · September 2, 2016

ECENT GOSPEL passages have contained an interesting exhortation—one somewhat outwardly uncharacteristic of Jesus himself. Jesus tells a parable of the difficulty of passing through the narrow gate. When those knocking on the door, asking to be let in, not once, but twice, the master of house says, “I do not know where you are from…”

A few days later, the Gospel contains Jesus’ parable about the ten wise virgins. Again, they knock on the door asking to be let in. The bridegroom replies in nearly the same fashion, “…I do not know you…”

While each parable has a larger lesson—one of humility and the other of readiness—there is an beckoning to “know” the Lord.

Knowing another human being requires an investment of time and an investment of oneself. I suppose “knowing” God is quite similar. The masters in these stories are unlike Jesus in that we are told over and over in scripture that the Lord knows our every need and has known us before we were born. Psalm 139: “Your eyes saw me unformed; in your book all are written down; my days were shaped, before one came to be.”

This is the value of simply being in the presence of God or of one of his children. Our our pastoral roles, this is much harder work than dealing with the music alone!

Many of us are gearing up our choir programs at this time. There has likely been an enormous amount of planning that has taken place during the summer. We are getting into “recruitment mode.” There is no end to preparations and implementation.

Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s. (I write this as a reminder to myself.)

Each year, I am astounded to learn something new about a choir member or parishioner. These are people that I thought I knew well. It often involves a unique cross that individual is carrying. It changes my perspective, and hopefully more towards mindfulness of greater mercy. This only came about while being “present” to know the person.

Likewise, spending time with music—even over a period of years—allows that music to take hold in our hearts, and not just in our minds and voices. Such presence, such being, lends to service of others. This is the value of rehearsal.

Finally, my happiest times with my children are probably times in which I am simply present for them. I try to do this because my parents—and my father—took time to be simply present with me, especially at stages of difficulty.

No words were shared. Just presence. I remember these times, and I hope my children remember them too. Do this with others in our pastoral work, and the impact may be beyond something we will ever know.

If we know God, he knows us. Remember this, even if swamped with work and obligations. Remember the power of accompanying others in their struggles. Remember the power of wordless presence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Amid all these old liturgical books, I find that I am happy and at ease; I feel at home.

— Dom André Mocquereau (1884)

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