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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Colloquium 2016 • Day 2

Fr. David Friel · June 22, 2016

OLLOQUIUM participants had a wonderful day on Tuesday. For those who have never attended a Colloquium, the general format involves morning chant rehearsals and afternoon polyphony rehearsals. Mixed in are usually a keynote address and a variety of breakout sessions. In the late afternoon, the chant and polyphony choirs sing the music they have been rehearsing for the day’s Mass.

The chant choir I chose this year is the one led by Wilko Brouwers. I have sung with him before, and my strongest recollection is that he is a man of many images. In our first rehearsal, he came through with several new images to help express certain points he was making. I’ll share with you just two of them.

First, Maestro Wilko was speaking to us about the natural pace of the chant. He encouraged us to think of every chant as a reaching out to what lies beyond, as if, he said, the most important note is just ahead, just around the next corner. In that way, the chanting stays lively throughout and maintains good pace.

The second image he gave concerns how to handle incipits. We were singing an introit, and when it came to the psalm verse, he paused our group of cantors at the incipit. Sometimes, he warned us, there is a tendency to give too much attention to these initial clusters of notes. When singing a psalm tone, though, Brouwers encouraged us to begin with a certain buoyancy that longs to reach the reciting tone. He compared singing the incipit to holding a ball under water and releasing it. Just as the ball moves in a clear and eager direction toward the surface, so should the chanter have a destination beyond the incipit in mind.

In the breakouts, I attended the new music session, moderated by David Hughes. There were no ladies in attendance, but a few talented male singers enabled us to sing through some SATB pieces. One piece I especially enjoyed was a setting of the Reproaches by Dr. Peter Kwasniewski. Once the piece is polished to his satisfaction, I hope someday he will publish this new work.

Mass was celebrated beautifully by Fr. Jason Schumer, who has served as a professor of liturgy at Kenrick-Glennon Seminary. In his homily, he reminded us of deeply significant words from the Second Vatican Council’s Constitution on the Sacred Liturgy. He referenced this statement of the council fathers:

Every liturgical celebration, because it is an action of Christ the priest and of His Body which is the Church, is a sacred action surpassing all others; no other action of the Church can equal its efficacy by the same title and to the same degree. (Sacrosanctum Concilium #7)

It is important for us to remember that nothing we do in life is greater than the worship we offer to God. It is the constant worship of God, after all, that is the life of heaven.

Much more lies in store during our days in Saint Louis. I look forward to sharing my highlights soon!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Church Music Association of America CMAA, Gregorian Chant, Sacred Music Colloquium Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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