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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Happenings at Notre Dame

Fr. David Friel · November 8, 2015

HE FIGHTIN’ IRISH are having a great season. They have an 8-1 record through this weekend and currently sit in first place among FBS Independent Schools.

But another season of football success is not the only good news on campus.

The Basilica of the Sacred Heart at the University of Notre Dame has been the hub of two recent and exciting bits of liturgical news. The first story is about the construction of a brand new pipe organ custom built to match the magnificent space. The second story is about the arrival of Byzantine liturgy on campus.

HE ORGAN PROJECT began back in 2012 and will be completed in the next year. The new organ, which is set to be premiered in December 2016, has four manuals and 70 stops (totaling 5,164 pipes). It is being built by Paul Fritts & Company, an outfit founded in 1979 and based in Tacoma, Wash. In addition to numerous churches of various denominations, Fritts and his team of builders have previously produced instruments for such venerable institutions as the Eastman School of Music, Princeton Theological Seminary, and the Oberlin Conservatory.

Fritts specializes in building organs that are meant primarily to lead congregational singing. For this reason, they model their building technique after the tradition of organbuilding in northern Germany and the Netherlands. Historical research of these organs reveals how they were built and how they were designed to support the music of composers like Bach, Buxtehude, and Sweelinck. This focus is reflected in the stop list of the new Basilica organ. A few sets of pipes representative of other traditions have been selectively added in order to help support the needs of organ performance.

One stipulation made by the organ company was that the carpet in the Basilica would need to be removed, in order to improve the acoustics of the space. That $500,000 project was completed in 2014.

The new instrument is replacing a Holtkamp organ that was installed in 1978, during the era of Father Hesburgh. With only 40 stops (totaling under 3,000 pipes), this organ was judged undersized for the voluminous Basilica, particularly when it is filled with worshippers. The Holtkamp organ will be reinstalled at St. Pius X Church, being newly built about five miles away in Granger, IN. Fritts Opus 40 will be the fifth pipe organ used in this sanctuary since it was built in the 1850’s. It is being donated by a married couple who are parents and grandparents of Notre Dame alumni. 1

ATHER KHALED ANATOLIOS is new to the theology faculty of the University of Notre Dame this semester. A newly-ordained priest of the Melkite Greek Catholic Church, he offered to make the Divine Liturgy available to the student body. The University has taken him up on the offer.

The Liturgy of St. John Chrysostom, used by the Melkite Rite, will be offered one Sunday a month for now in the Basilica of the Sacred Heart. As Father Anatolios settles in, it may be offered more frequently.

Byzantine liturgy is not commonly found on college campuses. There is a Byzantine Catholic Mission at Penn State, and a Ukrainian Catholic shrine sits close to the campus of the Catholic University of America. The monthly Divine Liturgy at Notre Dame, however, seems to be the first regularly scheduled on campus Eastern liturgy.

There have been calls, from time to time, for more “diversity” among theology faculties. Such requests, of course, have not always been well motivated. Here, however, we have a case of true, authentic, catholic diversity. Here’s hoping that many students, faculty, and visitors will participate in and learn from this new initiative. 2

HE BUILDING of this organ and the offering of Divine Liturgy constitute encouraging news for the world of Catholic higher education. While there are many troubling things happening on our Catholic college campuses, there are also many wonderful things. The positive things deserve more of our attention, praise, and gratitude than they sometimes receive.

Named a Basilica by St. John Paul II in 1992, Sacred Heart has long fit the definition of a place of historical importance, architectural worth, and popular pilgrimage. One of 82 Basilicas in the United States, this campus church now has two more reasons to serve as a place of pilgrimage.




NOTES FROM THIS ARTICLE:

1   Many of the details about the organ project derive from an article by John Nagy, published in the Autumn 2016 edition of Notre Dame Magazine.

2   Information about the introduction of the Eastern liturgy at Notre Dame comes from a piece written by John Burger over at Aleteia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Byzantine Liturgy, Pipe Organ, Traditional Byzantine Liturgies Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

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