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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Happenings at Notre Dame

Fr. David Friel · November 8, 2015

HE FIGHTIN’ IRISH are having a great season. They have an 8-1 record through this weekend and currently sit in first place among FBS Independent Schools.

But another season of football success is not the only good news on campus.

The Basilica of the Sacred Heart at the University of Notre Dame has been the hub of two recent and exciting bits of liturgical news. The first story is about the construction of a brand new pipe organ custom built to match the magnificent space. The second story is about the arrival of Byzantine liturgy on campus.

HE ORGAN PROJECT began back in 2012 and will be completed in the next year. The new organ, which is set to be premiered in December 2016, has four manuals and 70 stops (totaling 5,164 pipes). It is being built by Paul Fritts & Company, an outfit founded in 1979 and based in Tacoma, Wash. In addition to numerous churches of various denominations, Fritts and his team of builders have previously produced instruments for such venerable institutions as the Eastman School of Music, Princeton Theological Seminary, and the Oberlin Conservatory.

Fritts specializes in building organs that are meant primarily to lead congregational singing. For this reason, they model their building technique after the tradition of organbuilding in northern Germany and the Netherlands. Historical research of these organs reveals how they were built and how they were designed to support the music of composers like Bach, Buxtehude, and Sweelinck. This focus is reflected in the stop list of the new Basilica organ. A few sets of pipes representative of other traditions have been selectively added in order to help support the needs of organ performance.

One stipulation made by the organ company was that the carpet in the Basilica would need to be removed, in order to improve the acoustics of the space. That $500,000 project was completed in 2014.

The new instrument is replacing a Holtkamp organ that was installed in 1978, during the era of Father Hesburgh. With only 40 stops (totaling under 3,000 pipes), this organ was judged undersized for the voluminous Basilica, particularly when it is filled with worshippers. The Holtkamp organ will be reinstalled at St. Pius X Church, being newly built about five miles away in Granger, IN. Fritts Opus 40 will be the fifth pipe organ used in this sanctuary since it was built in the 1850’s. It is being donated by a married couple who are parents and grandparents of Notre Dame alumni. 1

ATHER KHALED ANATOLIOS is new to the theology faculty of the University of Notre Dame this semester. A newly-ordained priest of the Melkite Greek Catholic Church, he offered to make the Divine Liturgy available to the student body. The University has taken him up on the offer.

The Liturgy of St. John Chrysostom, used by the Melkite Rite, will be offered one Sunday a month for now in the Basilica of the Sacred Heart. As Father Anatolios settles in, it may be offered more frequently.

Byzantine liturgy is not commonly found on college campuses. There is a Byzantine Catholic Mission at Penn State, and a Ukrainian Catholic shrine sits close to the campus of the Catholic University of America. The monthly Divine Liturgy at Notre Dame, however, seems to be the first regularly scheduled on campus Eastern liturgy.

There have been calls, from time to time, for more “diversity” among theology faculties. Such requests, of course, have not always been well motivated. Here, however, we have a case of true, authentic, catholic diversity. Here’s hoping that many students, faculty, and visitors will participate in and learn from this new initiative. 2

HE BUILDING of this organ and the offering of Divine Liturgy constitute encouraging news for the world of Catholic higher education. While there are many troubling things happening on our Catholic college campuses, there are also many wonderful things. The positive things deserve more of our attention, praise, and gratitude than they sometimes receive.

Named a Basilica by St. John Paul II in 1992, Sacred Heart has long fit the definition of a place of historical importance, architectural worth, and popular pilgrimage. One of 82 Basilicas in the United States, this campus church now has two more reasons to serve as a place of pilgrimage.




NOTES FROM THIS ARTICLE:

1   Many of the details about the organ project derive from an article by John Nagy, published in the Autumn 2016 edition of Notre Dame Magazine.

2   Information about the introduction of the Eastern liturgy at Notre Dame comes from a piece written by John Burger over at Aleteia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Byzantine Liturgy, Pipe Organ, Traditional Byzantine Liturgies Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“These liturgists protest that the choir must be encouraged, but in the same breath we are told its purpose is to lead the congregation in the singing of hymns and other unison music. These directions from non-musicians who have never created a musical sound—let alone direct a choir—are the cause of consternation among practicing musicians, both instrumentalists and singers.”

— Monsignor Richard J. Schuler (30 November 1967)

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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