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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Lercaro: A Key Player In Liturgical Reform

Aurelio Porfiri · September 23, 2014

5903 Giacomo LERCARO ITHOUT A DOUBT, one of the most influential cardinals at the time of the liturgical reform was GIACOMO CARDINAL LERCARO (1891-1976), Archbishop of Bologna. As was the case with so many other protagonists of the post-conciliar “liturgical wars”—such as Bugnini, Paolo VI himself, Lefebvre—Lercaro was the recipient of an immense amount of gossip for decades, stemming from intentions both good and bad. In January of 1968, Lercaro was dismissed from the Diocese of Bologna. Some people believe his dismissal resulted from American pressure following a very polemical homily by Cardinal Lercaro against the war in Vietnam. However, recent research by the historian Eliana Versace has dismissed this interpretation. 1

Most of my readers already realize that Cardinal Lercaro was one of the most influential actors in the post-conciliar liturgical reform, leading the commission that applied conciliar directives for a reformed liturgy. This makes him revered by one faction (identified as “liturgical progressives”) and deeply despised by another (“liturgical conservatives,” not to mention the traditionalists). In 1967, a Tuscan writer named Tito Casini addressed to Cardinal Lercaro a booklet: La Tunica Stracciata (“The Trashed Tunic”), with a preface by Cardinal Antonio Bacci. This booklet, along with the works of Cardinal Alfredo Ottaviani, constituted the most critical voices against the liturgy’s “new directions.” It was nothing short of a vehement denunciation of Cardinal Lercaro’s labors to implement this new liturgy: efforts which Casini perceived to be a work of destruction.

This booklet made a big noise. Even Paul VI was forced to publicly defend Cardinal Lercaro and condemn the thesis contained therein. Five decades later, perhaps the reasons behind Casini’s booklet can be better understood, just as we can (perhaps) understand more clearly the reasons for Lercaro’s decisions.

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

IT’S NOT EASY TO SUMMARIZE HERE these polemics and judge the intentions of Cardinal Lercaro in carrying out the liturgical reforms in one direction instead of another. If we apply here the regressive method of history (represented mainly by Marc Bloch, founder of Annales), we may notice that the present situation of the liturgy could say to us something about how the reforms were conceived, initiated, and carried out.

I am not sure Cardinal Lercaro would be happy with the present situation, were he alive today. As for me, I would be very happy to understand the reasons behind certain decisions made by important church leaders during the 1960s and 1970s and if—assuming we may to talk with these church leaders now in heaven (as we all hope) and ask these questions—they would still repeat those same decisions with the benefit of hindsight.

To see more images of Cardinal Lercaro, please click here.

Video excerpts of Cardinal Lercaro are here:



NOTES FROM THIS ARTICLE:

1   An interesting article by the Italian Vaticanist Sandro Magister, Montini, Siri, Lercaro. L’enigma del Cardinale Destituito (2011), mentions this episode and several possible interpretations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

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“The only really effective apologia for Christianity comes down to two arguments: namely, the _saints_ the Church has produced and the _art_ which has grown in her womb.”

— Josef Cardinal Ratzinger (Interview, 1985)

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