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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Lercaro: A Key Player In Liturgical Reform

Aurelio Porfiri · September 23, 2014

5903 Giacomo LERCARO ITHOUT A DOUBT, one of the most influential cardinals at the time of the liturgical reform was GIACOMO CARDINAL LERCARO (1891-1976), Archbishop of Bologna. As was the case with so many other protagonists of the post-conciliar “liturgical wars”—such as Bugnini, Paolo VI himself, Lefebvre—Lercaro was the recipient of an immense amount of gossip for decades, stemming from intentions both good and bad. In January of 1968, Lercaro was dismissed from the Diocese of Bologna. Some people believe his dismissal resulted from American pressure following a very polemical homily by Cardinal Lercaro against the war in Vietnam. However, recent research by the historian Eliana Versace has dismissed this interpretation. 1

Most of my readers already realize that Cardinal Lercaro was one of the most influential actors in the post-conciliar liturgical reform, leading the commission that applied conciliar directives for a reformed liturgy. This makes him revered by one faction (identified as “liturgical progressives”) and deeply despised by another (“liturgical conservatives,” not to mention the traditionalists). In 1967, a Tuscan writer named Tito Casini addressed to Cardinal Lercaro a booklet: La Tunica Stracciata (“The Trashed Tunic”), with a preface by Cardinal Antonio Bacci. This booklet, along with the works of Cardinal Alfredo Ottaviani, constituted the most critical voices against the liturgy’s “new directions.” It was nothing short of a vehement denunciation of Cardinal Lercaro’s labors to implement this new liturgy: efforts which Casini perceived to be a work of destruction.

This booklet made a big noise. Even Paul VI was forced to publicly defend Cardinal Lercaro and condemn the thesis contained therein. Five decades later, perhaps the reasons behind Casini’s booklet can be better understood, just as we can (perhaps) understand more clearly the reasons for Lercaro’s decisions.

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

IT’S NOT EASY TO SUMMARIZE HERE these polemics and judge the intentions of Cardinal Lercaro in carrying out the liturgical reforms in one direction instead of another. If we apply here the regressive method of history (represented mainly by Marc Bloch, founder of Annales), we may notice that the present situation of the liturgy could say to us something about how the reforms were conceived, initiated, and carried out.

I am not sure Cardinal Lercaro would be happy with the present situation, were he alive today. As for me, I would be very happy to understand the reasons behind certain decisions made by important church leaders during the 1960s and 1970s and if—assuming we may to talk with these church leaders now in heaven (as we all hope) and ask these questions—they would still repeat those same decisions with the benefit of hindsight.

To see more images of Cardinal Lercaro, please click here.

Video excerpts of Cardinal Lercaro are here:



NOTES FROM THIS ARTICLE:

1   An interesting article by the Italian Vaticanist Sandro Magister, Montini, Siri, Lercaro. L’enigma del Cardinale Destituito (2011), mentions this episode and several possible interpretations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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