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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Cardinal Lercaro: A Key Player In Liturgical Reform

Aurelio Porfiri · September 23, 2014

5903 Giacomo LERCARO ITHOUT A DOUBT, one of the most influential cardinals at the time of the liturgical reform was GIACOMO CARDINAL LERCARO (1891-1976), Archbishop of Bologna. As was the case with so many other protagonists of the post-conciliar “liturgical wars”—such as Bugnini, Paolo VI himself, Lefebvre—Lercaro was the recipient of an immense amount of gossip for decades, stemming from intentions both good and bad. In January of 1968, Lercaro was dismissed from the Diocese of Bologna. Some people believe his dismissal resulted from American pressure following a very polemical homily by Cardinal Lercaro against the war in Vietnam. However, recent research by the historian Eliana Versace has dismissed this interpretation. 1

Most of my readers already realize that Cardinal Lercaro was one of the most influential actors in the post-conciliar liturgical reform, leading the commission that applied conciliar directives for a reformed liturgy. This makes him revered by one faction (identified as “liturgical progressives”) and deeply despised by another (“liturgical conservatives,” not to mention the traditionalists). In 1967, a Tuscan writer named Tito Casini addressed to Cardinal Lercaro a booklet: La Tunica Stracciata (“The Trashed Tunic”), with a preface by Cardinal Antonio Bacci. This booklet, along with the works of Cardinal Alfredo Ottaviani, constituted the most critical voices against the liturgy’s “new directions.” It was nothing short of a vehement denunciation of Cardinal Lercaro’s labors to implement this new liturgy: efforts which Casini perceived to be a work of destruction.

This booklet made a big noise. Even Paul VI was forced to publicly defend Cardinal Lercaro and condemn the thesis contained therein. Five decades later, perhaps the reasons behind Casini’s booklet can be better understood, just as we can (perhaps) understand more clearly the reasons for Lercaro’s decisions.

5904 Cappa Lercaro 4 Giacomo Cardinal Lercaro 2 Giacomo Cardinal Lercaro

IT’S NOT EASY TO SUMMARIZE HERE these polemics and judge the intentions of Cardinal Lercaro in carrying out the liturgical reforms in one direction instead of another. If we apply here the regressive method of history (represented mainly by Marc Bloch, founder of Annales), we may notice that the present situation of the liturgy could say to us something about how the reforms were conceived, initiated, and carried out.

I am not sure Cardinal Lercaro would be happy with the present situation, were he alive today. As for me, I would be very happy to understand the reasons behind certain decisions made by important church leaders during the 1960s and 1970s and if—assuming we may to talk with these church leaders now in heaven (as we all hope) and ask these questions—they would still repeat those same decisions with the benefit of hindsight.

To see more images of Cardinal Lercaro, please click here.

Video excerpts of Cardinal Lercaro are here:



NOTES FROM THIS ARTICLE:

1   An interesting article by the Italian Vaticanist Sandro Magister, Montini, Siri, Lercaro. L’enigma del Cardinale Destituito (2011), mentions this episode and several possible interpretations.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Cardinal Giacomo Lercaro Consilium President Last Updated: January 1, 2020

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About Aurelio Porfiri

Renowned as composer, conductor, theorist, author, pedagogue, and organist, Aurelio Porfiri has served the Church on multiple continents at the highest levels. Born and raised in Italy, he currently serves as Director of Choral Activities and Composer in Residence for Santa Rosa de Lima School (Macao, China).

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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  • “Holy Name Hymn” (2-Voice Arrangement)

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