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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

United in the Eucharist — Conservative, Liberal, or Universal?

Richard J. Clark · May 16, 2014

RJC_852_St_Pauls_Harvard St. Paul’s, Harvard Square – Photo courtesy of George Martell/The Pilot Media Group ONGREGAVIT NOS IN UNUM Christi amor. Together we are united in the love of Christ. This is the second line of the Holy Thursday chant “Ubi Caritas.” Is this idea Liberal or Conservative? Does singing it in Latin make it conservative? Does a new setting in the vernacular make it liberal?

These questions are nonsense of course, and we are beyond all of this.

Recently, much has been written, said, and done with regard to Harvard University allowing a Black Mass and its last minute cancellation. (Here is a MUST READ article by Fr. David Barnes, What This Priest Saw At the Harvard Eucharistic Procession, in which he writes about the genuine faith of so many college students.) Faith and action of Roman Catholics all around Massachusetts and beyond spoke loud and clear. No one asked who was “liberal” or “conservative.” We were united in the Eucharist. The response of the people was the Universal Church sending a clear message as one voice.

When confronted with a true enemy of faith -– disguised in whatever innocuous or attractive façade — we see through it and gravitate toward unity. Thousands took action praying, processing, singing, and defending the faith despite ridicule and criticism. Why? Because present in our midst was a serious dose of perspective—a spiritual wake-up call.

ET WE FIND IN LITURGICAL MATTERS a great deal of infighting and division. Liturgy is not unimportant as it fosters the universality of truth. The Sacred, Beautiful, and Universal is not a “conservative” idea. (Actually, I think it’s rather “progressive” – as I toss about another ambiguous term.) The liturgy should be universal as the Eucharist is its center, lest we forget. In that light, here are a couple of stories:

Recently I taped a radio interview with Dr. Jennifer Pascual in which we spoke of singing the mass and singing the propers. The seemingly benign use of the description of “young conservative priests” supporting chant was a description I would hope to do without. I would pray that the idea of singing the mass is neither conservative, nor liberal, but universal and prayerful. Dr. Pascual was certainly in agreement. If the liturgical music in question is indeed universal, then it will stand on its own merit.

Another simple anecdote exemplifies the need to unify and work together in the face of a “wake up call.” Back in the 1990’s, while studying organ with James David Christie, I also became hooked on Gregorian Chant. Growing up in the 1970’s I had little exposure or experience in chant. There was no YouTube to listen to chant and no Corpus Christi Watershed in which to download many resources. (I like to scare students in my choirs by telling them that “when I was in college, I had a typewriter.” The horror!)

As such, we were one of the very few local parishes in the 1990’s singing Gregorian chant on a weekly basis outside of the Cathedral of the Holy Cross or St. Paul’s in Cambridge. Yet, as human nature goes, there will always be individuals who may agree with most of what one does, but will complain unceasingly anyway with little constructive criticism to offer. (Msgr. Wadsworth is fond of saying, “Put three experts in Gregorian Chant in a room and you’ll have three different ways of singing it.”) Yet, when traditional sacred music was threatened by inevitable changes in the structure of the diocese, such individuals, now with eyes wide open from a dose of reality have became big supporters. They experienced a wake-up call and realized they were in an oasis in the desert.

INALLY, I HAVE OFTEN FOUND that I can work with people with whom I disagree, yet sometimes can’t accomplish much with individuals with whom I have much in common. Why is this? Usually, those who are self-confident and happy with themselves do not feel threatened. One can accomplish much despite disagreement. Those who feel threatened or insecure, even if there is 95% agreement, are often difficult to work with because of perceived nonexistent threats. Sadly, this is human nature.

Therefore, let us be united in the love of Christ and in the Eucharist. It is easier said than done. Perhaps we should pray and be vigilant for the perspective we need and a wake-up call that may actually be grace from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Unity Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

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