• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

United in the Eucharist — Conservative, Liberal, or Universal?

Richard J. Clark · May 16, 2014

RJC_852_St_Pauls_Harvard St. Paul’s, Harvard Square – Photo courtesy of George Martell/The Pilot Media Group ONGREGAVIT NOS IN UNUM Christi amor. Together we are united in the love of Christ. This is the second line of the Holy Thursday chant “Ubi Caritas.” Is this idea Liberal or Conservative? Does singing it in Latin make it conservative? Does a new setting in the vernacular make it liberal?

These questions are nonsense of course, and we are beyond all of this.

Recently, much has been written, said, and done with regard to Harvard University allowing a Black Mass and its last minute cancellation. (Here is a MUST READ article by Fr. David Barnes, What This Priest Saw At the Harvard Eucharistic Procession, in which he writes about the genuine faith of so many college students.) Faith and action of Roman Catholics all around Massachusetts and beyond spoke loud and clear. No one asked who was “liberal” or “conservative.” We were united in the Eucharist. The response of the people was the Universal Church sending a clear message as one voice.

When confronted with a true enemy of faith -– disguised in whatever innocuous or attractive façade — we see through it and gravitate toward unity. Thousands took action praying, processing, singing, and defending the faith despite ridicule and criticism. Why? Because present in our midst was a serious dose of perspective—a spiritual wake-up call.

ET WE FIND IN LITURGICAL MATTERS a great deal of infighting and division. Liturgy is not unimportant as it fosters the universality of truth. The Sacred, Beautiful, and Universal is not a “conservative” idea. (Actually, I think it’s rather “progressive” – as I toss about another ambiguous term.) The liturgy should be universal as the Eucharist is its center, lest we forget. In that light, here are a couple of stories:

Recently I taped a radio interview with Dr. Jennifer Pascual in which we spoke of singing the mass and singing the propers. The seemingly benign use of the description of “young conservative priests” supporting chant was a description I would hope to do without. I would pray that the idea of singing the mass is neither conservative, nor liberal, but universal and prayerful. Dr. Pascual was certainly in agreement. If the liturgical music in question is indeed universal, then it will stand on its own merit.

Another simple anecdote exemplifies the need to unify and work together in the face of a “wake up call.” Back in the 1990’s, while studying organ with James David Christie, I also became hooked on Gregorian Chant. Growing up in the 1970’s I had little exposure or experience in chant. There was no YouTube to listen to chant and no Corpus Christi Watershed in which to download many resources. (I like to scare students in my choirs by telling them that “when I was in college, I had a typewriter.” The horror!)

As such, we were one of the very few local parishes in the 1990’s singing Gregorian chant on a weekly basis outside of the Cathedral of the Holy Cross or St. Paul’s in Cambridge. Yet, as human nature goes, there will always be individuals who may agree with most of what one does, but will complain unceasingly anyway with little constructive criticism to offer. (Msgr. Wadsworth is fond of saying, “Put three experts in Gregorian Chant in a room and you’ll have three different ways of singing it.”) Yet, when traditional sacred music was threatened by inevitable changes in the structure of the diocese, such individuals, now with eyes wide open from a dose of reality have became big supporters. They experienced a wake-up call and realized they were in an oasis in the desert.

INALLY, I HAVE OFTEN FOUND that I can work with people with whom I disagree, yet sometimes can’t accomplish much with individuals with whom I have much in common. Why is this? Usually, those who are self-confident and happy with themselves do not feel threatened. One can accomplish much despite disagreement. Those who feel threatened or insecure, even if there is 95% agreement, are often difficult to work with because of perceived nonexistent threats. Sadly, this is human nature.

Therefore, let us be united in the love of Christ and in the Eucharist. It is easier said than done. Perhaps we should pray and be vigilant for the perspective we need and a wake-up call that may actually be grace from God.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Unity Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

Recent Posts

  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.