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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Steering Wedding Dates away from Advent & Lent

Fr. David Friel · March 9, 2014

Y NEXT WEDDING is scheduled for May, which means that, this year, I am spared the difficult task of balancing the joy of a ritual Mass with the somber character of Holy Lent. What does the Church have to say about weddings in penitential seasons?

She says very little, actually. According to the General Instruction:

Ritual Masses are connected to the celebration of certain Sacraments or Sacramentals. They are prohibited on Sundays of Advent, Lent, and Easter, on solemnities, on the days within the Octave of Easter, on the Commemoration of All the Faithful Departed (All Souls’ Day), on Ash Wednesday, and during Holy Week, taking due account of the norms given in the ritual books or in the Masses themselves. (GIRM, 372)

It is within the purview of dioceses and parishes to add further limitations, if they so desire, but these are the only universal restrictions. You will notice that, while weddings are permitted on Lenten weekdays, they are forbidden on the Sundays of the same season. Are priests and others involved in liturgical matters supposed to see in the rule for Sundays of a particular season a model for what is desirable on the weekdays of that same season? The letter of the law is not in question; it is clear that weddings are permitted on all days except those noted above. But, would the spirit of the law dissuade us entirely from celebrating weddings in penitential seasons?

Before the Second Vatican Council, it was not allowable to celebrate a nuptial Mass or impart a nuptial blessing during Advent or Lent. Only a wedding ceremony outside of Mass was permitted. Ought this former practice to influence our current practice?

The USCCB offer this information on the marriage section of their website:

There are no legal restrictions on when the Rite of Marriage may be celebrated, with the exception of the Triduum, as long as the various guidelines specific to the particular parish are respected. When the Rite of Marriage includes a Mass there are limitations as to dates and readings. . . . When a wedding coincides with a major feast the readings for that feast must be respected. Weddings during penitential seasons must respect the church tone and décor appropriate for the season.

The strictures of the Greek Orthodox Archdiocese of America, available on their website, are more narrow than the present regulations of the Roman Catholic Church. Personally, I find the Greek Orthodox policy admirable for its fidelity to a sense of sacred time. Following are their directives concerning days when marriage is not permitted:

Marriages are not performed on fast days or during fasting seasons; these include the Great Lent and Holy Week; August 1-15; August 29 (Beheading of St. John the Baptist); September 14 (Exaltation of the Holy Cross); and December 13-25. Nor are marriages celebrated on the day before and the day of a Great Feast of the Lord, including Theophany (January 5 and 6); Pascha; Pentecost; and Christmas (December 24 and 25). Marriages may be performed on these days only by permission of the diocesan Bishop.

When weddings are celebrated in Advent and Lent, many issues arise that do not surface at other times. How festive is too festive? What sort of flower arrangements are permissible? If it is a Friday night wedding, what food will be served at the reception? Perhaps the better, larger question is whether a nuptial Mass is really in keeping with the spirit of a Friday in Lent.

Musically, there are other dualities that yearn for reconciliation. The Gloria, for instance, is omitted on the Sundays of Lent and Advent; according to the third edition of the Roman Missal, however, the Gloria is prescribed for all weddings, even in the seasons of Lent and Advent. In another place, the Missal states that, “during Lent . . . the use of musical instruments is allowed only so as to support the singing.” Does this rule out instrumental music during weddings within Lent? When celebrating a wedding in Lent, which takes precedence: the ritual or the season? It would seem that the ritual takes precedence, but its celebration ought to be mitigated by its seasonal context.

Not many of the couples we deal with as priests and sacred musicians use the Liturgical Desk Calendar as their personal planner. For most, the cycle of the liturgical year probably registers as hardly a “blip” on their wedding preparation radar. It is therefore all the more incumbent upon us to be that “blip.” We could try not only to steer couples away from selecting a date in Advent or Lent, but perhaps even encourage them to choose a date during the Christmas or Easter seasons.

If we prepare ourselves well, the routine meetings we regularly schedule with couples can grow to be something more than occasions to arrange mundane details. They can become moments for formative catechesis, given in charity.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Nuptial Mass, Roman Missal Third Edition Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Another cathedral functionary, a compañero named (coincidentally!) Francisco Guerrero, departs for the New World sometime before June 8, on which date the benefice held by him comes up for a split among three former choirboys whose voices have changed.”

— Chapter Resolution: 14 February 1562

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