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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Sacramental Grace and Intentional Discipleship

Andrew R. Motyka · September 18, 2013

HEN I WAS ON RETREAT a few weeks, ago, I picked up a book I’ve been meaning to read for over a year now. It is titled Forming Intentional Disciples by Sherry Weddell. This book on evangelization has been receiving critical acclaim from many Catholic apologists and is being seriously considered by offices of evangelization in US dioceses.

There are many reasons to praise this book, from its statistical wake-up call in the first chapter, down to the practical considerations of creating disciples of non-Catholics and Catholic parishioners alike. The first chapter is terrifying: it is an analysis of several national surveys on church attendance with special attention to Catholics. The most important observation that Weddell makes is that church attendance is directly correlated with the belief in the possibility of having a personal relationship with God. We Catholics, by and large, do not talk about Jesus, do not even know how to talk about Jesus.

I know what you’re thinking, because my thoughts were the same, at first: “This all sounds very…Protestant.” Yup. I’m ashamed to say, that’s exactly what I thought. Then Weddell wrote about grace and the sacraments. After all, the normative relationship that we Catholics have with God is through the sacraments. Wedell explains that this is not enough. An individual needs to be prepared in heart, soul, and life to receive the sacraments fruitfully. Obviously, a validly celebrated sacrament contains the grace of God regardless of its recipient. I cannot alter the fullness of grace in the Eucharist by any action. I can, however, obstruct the reception of that grace by my disposition. I need to be willing to accept the inward change that that grace brings. (Weddell’s chapter on grace is reason enough to read this book.)

While Sherry Weddell doesn’t wade into liturgical matters in this discussion, this touches on why I love the tradition of our liturgy, and more specifically, solemnity in its celebration. One of those goofy Masses that you always read about online, with strange goings-on and hideous vestments, with irreverent music and odd posture, is still a valid Mass as long as the essential matter and form of the sacrament are present. However, such liturgical noise absolutely can run interference on one’s fruitful reception of the grace already present in the sacrament. Liturgy deserves seriousness in order to celebrate and prepare for fruitful reception of the sacrament.

Just like evangelizing disciples, liturgical catechesis starts in your own parish. In her many interviews with pastors, Weddell asked most of them: what percentage of your congregation would you say is made up of intentional disciples? The answer was consistently 5 percent. This is an unacceptable level of discipleship in our Church, and we are all responsible for it through our baptism. Liturgical catechesis will come along the way; our worst problem first is introducing people to Jesus.

While I’ve read many books on faith and apologetics, this is the one that is most relevant to the Church’s struggle today. I strongly recommend that you read this book, and then go make disciples of all people.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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