• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Shouting Our Faith from the Rooftops

Fr. David Friel · April 14, 2013

UCH INSIGHT CAN BE GAINED from reading the Gospel accounts of what transpired in the first weeks after the Resurrection. In the last chapter of the Gospel of John, our Lord appears to some of the Apostles. Simon Peter, Thomas, Nathaniel, the sons of Zebedee, and two others have returned—in so short a time—to their old jobs as fishermen. Everything seems peaceful enough, but the Apostles have not begun to spread the Gospel message like we might have expected them to do. They just went back to work, trying to reel in fish. But Jesus had commissioned them, of course, not to be simple fishermen, but to become “fishers of men.”

A very different scene is recounted in Acts, chapter 5. Here, some time has passed since the events of our Lord’s Passion & Resurrection, and the Apostles have begun to live out their mission of spreading the Good News. We read that they “filled Jerusalem with [their] teaching.” The experience isn’t all sunshine and lollipops, though. The court officers, the Sanhedrin, and the high priest challenge the Apostles and command them to stop preaching the name of Jesus. The Apostles wisely refuse to go along, saying that “we must obey God rather than men.” They will not let their mission be stifled by the powers-that-be.

Faith is not a private matter. Faith, by its very nature, is meant to be shared. It is ordered outward. In fact, it is probably fair to say that anyone who keeps his faith to himself has no faith at all. True faith is trumpeted. We may not live in a world with high priests and the Sanhedrin, but we are constantly commanded by the world to keep quiet about our faith. We must not let the voices of secular society rule the day, though. We are no less called to be fishers of men than were the Apostles. We cannot allow our faith to be silenced. We’ve got to put out into the deep.

The Apostles’ defiance of the establishment took courage, and it brought upon them a certain degree of suffering. In the words of the reading, “They left the presence of the Sanhedrin, rejoicing that they had been found worthy to suffer dishonor for the sake of the Name.” Have you ever suffered “for the sake of the Name”? Maybe you’ve been discounted as unthinking or sentimental because you are a person of faith. Perhaps you’ve been teased by coworkers or friends for not eating meat on Fridays. Maybe you’ve been labeled a hypocrite or a do-gooder or a Jesus freak. Speaking personally, there once was a time when walking around my neighborhood in Northeast Philly dressed as priest would have drawn respect. I assure you, those days are passed, so there are frequent opportunities to suffer a bit for Christ simply by presenting myself as one of His ministers. These little sufferings are part of discipleship. They test us and strengthen our resolve to follow Him.

In the face of the Resurrection, we can’t just go back to life as it was. If we are true believers, then we have been changed. We can’t go back to our old ways. We have to speak out about the faith we have received and all that it has done for us. Just like the Apostles “filled Jerusalem” with their teaching, we need to fill our own neighborhoods with our testimony. Shout from the rooftops what Christ has done for us! People will tell us to be quiet. They’ll tell us not to impose our beliefs on them. They’ll tell us to be tolerant, while failing to tolerate us. In all these circumstances, however, we can choose to be like the Apostles and rejoice to be “found worthy of suffering dishonor for the sake of the Name.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.