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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Shouting Our Faith from the Rooftops

Fr. David Friel · April 14, 2013

UCH INSIGHT CAN BE GAINED from reading the Gospel accounts of what transpired in the first weeks after the Resurrection. In the last chapter of the Gospel of John, our Lord appears to some of the Apostles. Simon Peter, Thomas, Nathaniel, the sons of Zebedee, and two others have returned—in so short a time—to their old jobs as fishermen. Everything seems peaceful enough, but the Apostles have not begun to spread the Gospel message like we might have expected them to do. They just went back to work, trying to reel in fish. But Jesus had commissioned them, of course, not to be simple fishermen, but to become “fishers of men.”

A very different scene is recounted in Acts, chapter 5. Here, some time has passed since the events of our Lord’s Passion & Resurrection, and the Apostles have begun to live out their mission of spreading the Good News. We read that they “filled Jerusalem with [their] teaching.” The experience isn’t all sunshine and lollipops, though. The court officers, the Sanhedrin, and the high priest challenge the Apostles and command them to stop preaching the name of Jesus. The Apostles wisely refuse to go along, saying that “we must obey God rather than men.” They will not let their mission be stifled by the powers-that-be.

Faith is not a private matter. Faith, by its very nature, is meant to be shared. It is ordered outward. In fact, it is probably fair to say that anyone who keeps his faith to himself has no faith at all. True faith is trumpeted. We may not live in a world with high priests and the Sanhedrin, but we are constantly commanded by the world to keep quiet about our faith. We must not let the voices of secular society rule the day, though. We are no less called to be fishers of men than were the Apostles. We cannot allow our faith to be silenced. We’ve got to put out into the deep.

The Apostles’ defiance of the establishment took courage, and it brought upon them a certain degree of suffering. In the words of the reading, “They left the presence of the Sanhedrin, rejoicing that they had been found worthy to suffer dishonor for the sake of the Name.” Have you ever suffered “for the sake of the Name”? Maybe you’ve been discounted as unthinking or sentimental because you are a person of faith. Perhaps you’ve been teased by coworkers or friends for not eating meat on Fridays. Maybe you’ve been labeled a hypocrite or a do-gooder or a Jesus freak. Speaking personally, there once was a time when walking around my neighborhood in Northeast Philly dressed as priest would have drawn respect. I assure you, those days are passed, so there are frequent opportunities to suffer a bit for Christ simply by presenting myself as one of His ministers. These little sufferings are part of discipleship. They test us and strengthen our resolve to follow Him.

In the face of the Resurrection, we can’t just go back to life as it was. If we are true believers, then we have been changed. We can’t go back to our old ways. We have to speak out about the faith we have received and all that it has done for us. Just like the Apostles “filled Jerusalem” with their teaching, we need to fill our own neighborhoods with our testimony. Shout from the rooftops what Christ has done for us! People will tell us to be quiet. They’ll tell us not to impose our beliefs on them. They’ll tell us to be tolerant, while failing to tolerate us. In all these circumstances, however, we can choose to be like the Apostles and rejoice to be “found worthy of suffering dishonor for the sake of the Name.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The idea that the Roman basilica is the ideal design for a Christian church building because it made it possible for the priest and the people to face one another is complete nonsense. That would have been the last thing that the early Christians had in mind.”

— Father Louis Bouyer

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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