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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

1910 (Anglican) Organum Comitans ad Kyriale

Corpus Christi Watershed · March 19, 2013

km0_oak-tome_1910_Organum_Comitans_ad_Kyriale HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

      * *  1910 (Anglican) Organum Comitans ad Kyriale

• The Ordinary of the Mass. Organ accompaniments. • Anglican chants — Accompaniment. • 1910 : : Plainsong and Mediaeval Music Society • 44, Russell Square, London, W.C. •

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Filed Under: Articles Last Updated: January 1, 2020

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Quick Thoughts

For the Upcoming Choir Season!

Last week, I posted an SATB choral setting of the SANCTUS in a ‘contemporary’ style. You might want to consider this piece for two reasons: (1) It’s extremely brief; (2) Free rehearsal videos are available for each individual part. The piece is by Father Lhoumeau.

—Jeff Ostrowski
PDF Download • “Sunday Vespers” (22 pages)

When an organist accompanies Vespers, there is no time to think. It’s one thing after another: Bam – Bam – Bam. And that’s what makes Vespers difficult to accompany; there’s hardly even time to check the key signature for each piece! Therefore, although it’s far from perfect, I’m releasing this 22-page booklet:

PDF Download • SUNDAY VESPERS ACCOMPANIMENT

As time goes on, I will explain why I believe this booklet is important, my hopes for it, and why I selected the official edition, directly from the Vesperale Romanum. In spite of its imperfections, creating this (draft) booklet required much more effort than I had anticipated.

—Jeff Ostrowski
11 July 2022 • FEEDBACK

Someone who heard the CCW plainsong recordings with NOH accompaniment says: “For years I have travelled the continents and crossed the oceans of Gregorian chant in search of a composition and interpretation as sublime as this. The text and the melody are interwoven in a game of mirrors with the interpreters, the singer and the instrumentalist, so as to confer delicacy on the jubilation. The organ is soft, humble. This is what we hear from the singer. These artists have come together to produce beauty. In 1903, Pope Pius X, by motu proprio, restored Gregorian chant in the Latin Church. In his words: Sacred music must possess, to an eminent degree, the qualities proper to the liturgy, and notably the sanctity and delicacy of form, whence another characteristic spontaneously results, universality. I stress: the holiness and delicacy of forms result in universality, time and place. That is to say, sometimes the beauty of human hands gently caresses the face of the Eternal.”

—Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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