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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pope Francis’ Address on Sacred Music: “Liturgy is the first ‘teacher’ of catechism.”

Richard J. Clark · October 4, 2019

OPE FRANCIS recently addressed the Scholae Cantorum of the Italian Santa Cecilia Association. I urge you to read it in its entirety. There are many gems, and it is not long!

      * *  Pope Francis’ Address to the Scholae Cantorum of the Italian Santa Cecilia Association

Francis notes the historic continuity from Pope Saint Pius X through the present day. Francis makes direct reference to Pius X’s 1903 Motu Proprio on sacred music, Tra le Sollecitudini which was the true catalyst for Vatican II reforms in music. Pius X is specifically named in Section VI on Sacred Music in the Constitution on the Sacred Liturgy. (see §112)

As such, he is mindful of Pius X’s call for sacred music in the liturgy to possess three characteristics: beautiful, holiness, and universality. Francis’ address is filled with gems, but this stands out as a guiding light.:

Not just any music, but holy music, because rituals are holy; endowed with the nobility of art, because God must be given the best; universal, so that everyone can understand and celebrate. Above all, clearly distinct and different from that used for other purposes.

Perhaps most important of all is this reminder from Pope Francis:

“[Y]our dedication to the liturgy and its music represents a way of evangelization at all levels, from children to adults. In fact, the liturgy is the first ‘teacher’ of catechism. Do not forget this: the liturgy is the first ‘teacher’ of catechism.”

IKE BENEDICT XVI and John Paul II, Pope Francis reaffirms upholding both our treasury of sacred music alongside new compositions, using Gregorian Chant as the “first model.” But while contemplating the wide tent that is sacred music in the Universal Church, I would ask we consider these important questions (perhaps among others) in light of the liturgy being the “first teacher of catechism.”

1 • Is the theology in our music truly Roman Catholic?

2 • Are we singing scripture or personal thoughts and impressions? (There will be a follow-up article to this question!)

3 • Are we singing the Mass or singing songs at Mass?

4 • Regardless of style, is the music and its presentation reverent and prayerful?

5 • Are we preparing adequately and giving God our best as Pope Francis asks?

INALLY Pope Francis acknowledges the preparation, sacrifice, and hard work of church musicians. It is often a thankless and relentless job! I know I am nothing without my hardworking volunteers (and professionals who don’t get paid nearly enough!) Let us all be thankful for each other, be mindful that we are working towards the same goals: to praise God and uplift our communities in spirit and prayer.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Francis Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

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