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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Saint Paul’s Choir School • New CD with AimHigher Recordings/Sony Classical

Richard J. Clark · September 8, 2017

N THE FEAST of the Nativity of the Blessed Virgin Mary, the St. Paul’s Choir School, Harvard Square, announces the release of its second international recording, Ave Maria. This follows the 2014 CD Christmas in Harvard Square which reached #1 on Billboard Magazine’s Classical Traditional Charts.

Led by a superlative music staff at St. Paul’s, the CD was directed by Choirmaster, John Robinson and accompanied by organist, Jeremy Bruns. Furthermore, the CD was produced by eleven-time Grammy Award-winner Christopher Alder, and Grammy Award-winner, Brad Michel. The CD is released by De Montfort Music/Sony Classical and its sister label AimHigher Recordings. They are responsible for several #1 Classical CDs including BENEDICTA: Marian Chant from Norcia.

      * *  Order the CD: Ave Maria • Saint Paul’s Choir School • Harvard Square

      * *  Order from iTunes: Ave Maria • Saint Paul’s Choir School • Harvard Square

N ADDITION to singing daily Mass, the St. Paul’s Choir School has sung in venues from Carnegie Hall, Boston Symphony Hall, to Fenway Park. They have enjoyed enormous national publicity having been featured on CBS This Morning, NPR, Good Morning America, Fox & Friends, WGBH, Boston Globe and on their own PBS Special.

IN THIS TRAILER FOR Ave Maria, you can find out what are each of the boys’ favorite pieces!

TTRACTING STUDENTS FROM all over America and the world, the St. Paul’s Choir School has transformed countless lives. One need look no further than St. Paul’s current pastor, Fr. William T. Kelly, a graduate of St. Paul’s (formerly known as the Boston Archdiocesan Choir School). In a conversation while he was Pastor of St. Mary’s of the Assumption in Dedham, Massachusetts, he said his calling to the priesthood grew directly out of his life as a student at St. Paul’s. Singing the Mass as a child was an enormous part of his spiritual education and formation—not only musical.

Furthermore, Choirmaster John Robinson speaks quite passionately regarding the impact such music has on the spirit, intellect, and character of young hearts and minds. In doing so, he even evokes the Communion of the Saints:

“When I introduce young minds to the beautiful heritage of Church music, it’s always amazing to see just how much they love the great music we have been given. Music is such a powerful tool for forming young minds, and of course it goes so far emotionally in uniting us with each other, but also with our families on earth and in heaven.

It’s amazing to think that if, say, Palestrina walked into Church during our 11.00 Mass, he would hear his music, and there would be a sense in which we are all joined together by this shared experience, which we’ve been given. You can see the boys growing in maturity and responsibility as the power and clarity of the musical thoughts help shape their minds in love of God and neighbor.

There’s a clear link with their academic development as well, since the concentration required to learn to sing this great music transfers perfectly to study.”

— John Robinson

Regardless of what one eventually does in life, music education is an invaluable discipline that leads to developing many valuable life skills, intellectual, emotional, spiritual, interpersonal, etc. Such education immersed in faith will lead to transformation.

This is true of the boys who enter the St. Paul Choir School. It has been true of generations past under its legendary founder, Theoodore Marier and under former Headmaster, Principal, Organist, and Choirmaster, John Dunn. Now, under John Robinson, the St. Paul Choir School continues on the international stage. But praising God with music is above all. These new recordings afford new opportunities for evangelization, and as such, a new responsibility for the school.

Finally, if you know a talented third or fourth grade boy, you can learn more about Applying to Become a Choirboy where you can see information about admissions, tuition, and opportunities at the Saint Paul’s Choir School.

Soli Deo gloria

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Both priests and people in this country [viz. ENGLAND] were largely taken by surprise by the recent restoration of the Easter Vigil, by the changes in the laws of fasting for Holy Communion, and the advent of the Evening Mass.”

— Dom Oswald Sumner (1955)

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  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.