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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Japanese Martyrs

Fr. David Friel · February 6, 2017

HE CHURCH celebrates today an extraordinary group of martyrs who were called to give witness to their faith during a time of severe religious oppression in Japan. St. Paul Miki and his companions lived not long before the time in which the recent movie, Silence, is set. (See my thoughts on the film.)

The historical background to the martyrdom we recall today begins with the mid-1500’s missionary journey of St. Francis Xavier to Japan. We call him the “Apostle to Japan” now, because of his success in bringing the Catholic faith to the island. Not even 50 years later, though, the faith of the Japanese people was tested, since the Japanese authorities began to persecute those who had become Christians.

Paul Miki converted to the faith and became a Jesuit, himself, like Francis Xavier. On February 5, 1597, Paul was martyred along with 25 others. They were crucified, and many more after them were burned or otherwise executed. The authorities were trying to squelch the growing Christian presence in Japan by means of these executions, but they were largely unsuccessful.

The Office of Readings for this memorial includes a passage from a contemporary account about the martyrdom. It reads, in part:

Our brother, Paul Miki, saw himself standing now in the noblest pulpit he had ever filled. To his “congregation” he began by proclaiming himself a Japanese and a Jesuit. He was dying for the Gospel he preached.

He gave thanks to God for this wonderful blessing and he ended his “sermon” with these words: “As I come to this supreme moment of my life, I am sure none of you would suppose I want to deceive you. And so I tell you plainly: there is no way to be saved except the Christian way. My religion teaches me to pardon my enemies and all who have offended me. I do gladly pardon the Emperor and all who have sought my death. I beg them to seek baptism and be Christians themselves.”

Then he looked at his comrades and began to encourage them in their final struggle. Joy glowed in all their faces. . . . According to Japanese custom, the four executioners began to unsheathe their spears. At this dreadful sight, all the Christians cried out, “Jesus, Mary!” And the storm of anguished weeping then rose to batter the very skies. The executions killed them one by one. One thrust of the spear, then a second blow. It was over in a very short time.

Japan closed itself to foreign visitors in the 1630’s, and remained that way until the 1860’s. So, for about 230 years—nearly as long as the whole history of the USA—Japan attempted to eradicate Christianity in its territory by keeping missionaries out and executing those who were left behind. Amazingly, when the borders of Japan were reopened in 1865, thousands of covert Catholics came forward, still clinging to the faith of their forefathers, which they had been practicing in secret for more than two centuries.

HE STRENGTH of faith we see in Paul Miki & his companions is extraordinary. It is beautiful, compelling, and challenging. It makes me ask myself the question: “Is my faith that strong?” Is your faith so strong that it would not only stick with you to martyrdom, but that it would survive underground among your descendants for 230 years?

From the Collect for today’s Mass: “O God, strength of all the Saints, who through the Cross were pleased to call the Martyrs Saint Paul Miki and companions to life, grant, we pray, that by their intercession we may hold with courage even until death to the faith that we profess.”

Faith of our fathers, holy faith! We will be true to thee ‘til death!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

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