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Views from the Choir Loft

The Importance of Uniforms

Fr. David Friel · September 6, 2015

EVERAL SUMMERS AGO, I underwent training at the Naval Chaplains School in Newport, RI. It was a terrific experience (and Newport is not a shabby place to spend the summer). Over that summer, I learned about the traditions of the Navy, did a lot of PT, and became friends with a rabbi & an imam. I am forever grateful for the formation I received during those months.

One thing that many people don’t know about Navy chaplains is that they serve not only the Navy, but also the Marines and the Coast Guard. So we learned about those branches, also, during our training. For a two-week period, we focused exclusively on the Marine component, and we were taken off-site for special field exercises.

We spent most of our time on NAVSTA Newport wearing Navy uniforms—khaki’s mostly, with the occasional need for summer whites. The day we left for the field exercises, however, we all dressed in Marine uniforms. I will never forget looking in the mirror that morning and seeing myself decked in woodland camouflage. My interior response was strong, immediate, and multi-faceted. I felt unworthy, honored, and humbled to wear this particular uniform; the sight produced within me a tangible sense of duty; my mind was consumed with the thought of so many Marines who have died wearing the very same uniform. To be honest, the experience was a bit overwhelming. The question, “Who am I?” repeated itself quietly but firmly in my mind.

HE CASSOCK can be something of a lightning rod. I have yet to forget the occasion when I first wore one, about two months into my first year of seminary life. The feeling was very similar to my experience with the Marine woodlands. I felt unworthy, coupled with a sense of duty and the insistent question of identity.

A great portion of my life has been spent in uniform. Whether it’s been a Catholic school uniform or a baseball uniform or a Scout uniform or a Navy uniform or my current uniform of black, I’ve always enjoyed the feeling of being part of something larger. There are real benefits to wearing a uniform (beyond the freedom of not worrying what to wear).

An article published two weeks ago by Esquire writer-at-large, Tom Chiarella, has some fascinating insights into the effect a cassock can have on the one who wears it and those who see it worn. Though not a priest, Chiarella undertook a mission to wear a cassock around downtown Chicago for a day, observing how it affected him and those he encountered. He continued the experiment by dressing on other days as a security guard, a mechanic, and a doctor. I won’t rehash all of his insights, because the article is worth reading for yourself.

In large part, Chiarella recounts being met with pleasant-to-positive encounters during his day-in-the-life. After four years as a priest, myself, that surprised me a bit. While I am typically met with great warmth in the neighborhood where I live & work, a casual walk through Center City dressed as a priest elicits mostly disinterest. There are, of course, occasional unpleasant encounters that largely stem from the scandals of the last decade, but I would say that the majority of people pay little mind to a passing priest.

That being said, I could not begin to list the many wonderful encounters I have had with strangers who have approached me simply because I was dressed as a priest. Many prayers have been requested, blessings have been offered, and questions have been asked. Without a doubt, wearing priestly attire is good for the priest, since it is a reminder of his vocation and an encouragement to his priestly identity. But it is also good for those around him.

The Esquire article reminded me of William Riccio’s reflection upon the Eucharistic procession held in NYC at the conclusion of Sacra Liturgia back in June. The effect of that procession was a profound spirit of peace felt by participants, police officers, and passers-by alike. The sight of a priest, like the sight of that procession, can have incalculable effects.

Chiarella’s observations, I believe, are valid and important. They are evidence of humanity’s innate desire to connect with God. This desire is written in the hearts of all men, including those who otherwise live in the mire of secularism. If we are serious about the New Evangelization, it is incumbent upon priests to capitalize on simple opportunities to engage modern man. It would seem that wearing priestly garb in public settings is such an opportunity. Doing so often serves as an entre for conversation and prayer—even confession.

HETHER A PRIEST wears a cassock or a black suit, the witness of clerical garb is essential in the modern age. The world needs the witness of priests in ordinary life, not just inside the church building. Our brothers & sisters in the streets and in all of society need to be reminded of the presence of God. We priests should be humbled and honored to be that reminder.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Roman Collar Distinctive Garb Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

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  • Bugnini’s Statement (6 November 1966)
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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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