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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christmas and the Universal Role of Music

Richard J. Clark · December 25, 2015

HRISTMAS IS a time in which music plays a universal role. It is deeply important for those who are devoutly religious and for those who are not. Music touches all of us who are struggling with our own faith.

The birth of Christ recalls a specific time and place as does the music of Christmas. It is sacred music that has poured out into an increasingly secular world. This is a wonderful opportunity and with it comes a special call of service.

Saint Cecilia is the patroness of sacred music and, as such, holds a special place in the hearts of musicians. “He who sings prays twice” is a saying often attributed to Saint Augustine. There is reason to believe that Augustine may not have written those exact words, but he did write, “Singing belongs to the one who loves.”

Music has a unique way of lifting our spirits and making us happy. It is evocative and stirs up memories and experiences from earlier times and places. Singing has the power to unite and to create harmony out of diversity. And song is a gift from God — an expression of his love for us. How do we acknowledge such a gift? By singing. We sing praise to God as a way of expressing our gratitude and love.

In addition to making music that is pleasing to the ear, music ministers are called to serve the community by fostering prayer. In service of the liturgy, sacred music is not simply for ephemeral pleasure (although one hopes it is pleasing!) but for transformative healing and enduring growth. This holds true both for the individual and the community. This is our hope — this is our call.

For when we enter the doors of our churches one never knows what pain, suffering, grief or burdens those among us carry. This is the beauty and the gift of community. When we are unable to pray — when we are distracted, or burdened, or overcome with grief — the community carries us along; the community buoys our spirit and sustains us; the community prays on our behalf. Our voices raised in prayer each week can provide comfort and solace to our brothers and sisters in need. Our very presence at liturgy, along with our spoken and sung prayer, have untold effects on others and can act as a lifeline in ways which we will never know.

For with the birth of Christ comes not only the baby Jesus, but justice, peace and our very Salvation. For this we shout for joy, singing a new song unto the Lord! (Psalm 98)

A cry from deep within our being, music is a way for God to lead us to the realm of higher things. — St. Augustine, Epistoia 166, De origine animae hominis


COMMUNION PROPER FOR EPIPHANY:

      * *  Free Download:
PDF • Vidimus stellam | Communion Antiphon | Epiphany of the Lord | for Schola, SATB, Organ
Here’s a demo I threw together quickly. I used the piano instead of the organ as I was traveling at the time:
      * *  YouTube:  Rehearsal DEMO

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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