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Views from the Choir Loft

Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)

Richard J. Clark · September 19, 2014

AST WEEK, POPE SAINT John Paul II’s Letter to Artists was discussed. As art expresses truth in its beauty, Saint John Paul asserted that the Church needs art.

      * *   Letter of His Holiness Pope John Paul II to Artists • 1999

VERY KIND READER sent me this beautiful three-minute video on Pope John Paul II’s “Letter to Artists”. The information accompanying the video indicates:

A tribute to John Paul II’s “Letter to Artists”, as read by students at John Paul the Great Catholic University. This video was posted in April 2014, to commemorate his canonization to sainthood, and as a gift to Christian artists throughout the world.

THIS VIDEO ACTS AS A WONDERFUL MEDITATION on the role art plays in prayer and in our relationship with God. As such, Saint John Paul’s letter opens the door to a number of questions. Here are just a few to begin a broader discussion:

1 • What role does art play in our interior and exterior prayer life?
2 • Therefore, What implications does beauty and art have for the liturgy?
3 • E.g., What roles do music, architecture, and vestments play in our prayer?
4 • Do art and beauty require intricacy and complexity?
5 • What implication does the subjective nature of judging beauty, and therefore the experience of art, have on corporate prayer?
6 • Saint John Paul stated in this letter: “The ‘beautiful’ was thus wedded to the “true”, so that through art too souls might be lifted up from the world of the senses to the eternal.” (§7) As truth is objective, is there a standard for what is beautiful?

“In order to communicate the message entrusted to her by Christ, the Church needs art.” (§12)— Pope Saint John Paul II

Pray always and be unceasingly inspired! Sacred Art in service to God and his people is a great calling—one that is encouraged by a great saint.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

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The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.