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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Many Questions | Pope Saint John Paul II’s Letter to Artists (Part 2)

Richard J. Clark · September 19, 2014

AST WEEK, POPE SAINT John Paul II’s Letter to Artists was discussed. As art expresses truth in its beauty, Saint John Paul asserted that the Church needs art.

      * *   Letter of His Holiness Pope John Paul II to Artists • 1999

VERY KIND READER sent me this beautiful three-minute video on Pope John Paul II’s “Letter to Artists”. The information accompanying the video indicates:

A tribute to John Paul II’s “Letter to Artists”, as read by students at John Paul the Great Catholic University. This video was posted in April 2014, to commemorate his canonization to sainthood, and as a gift to Christian artists throughout the world.

THIS VIDEO ACTS AS A WONDERFUL MEDITATION on the role art plays in prayer and in our relationship with God. As such, Saint John Paul’s letter opens the door to a number of questions. Here are just a few to begin a broader discussion:

1 • What role does art play in our interior and exterior prayer life?
2 • Therefore, What implications does beauty and art have for the liturgy?
3 • E.g., What roles do music, architecture, and vestments play in our prayer?
4 • Do art and beauty require intricacy and complexity?
5 • What implication does the subjective nature of judging beauty, and therefore the experience of art, have on corporate prayer?
6 • Saint John Paul stated in this letter: “The ‘beautiful’ was thus wedded to the “true”, so that through art too souls might be lifted up from the world of the senses to the eternal.” (§7) As truth is objective, is there a standard for what is beautiful?

“In order to communicate the message entrusted to her by Christ, the Church needs art.” (§12)— Pope Saint John Paul II

Pray always and be unceasingly inspired! Sacred Art in service to God and his people is a great calling—one that is encouraged by a great saint.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

At the Council of Trent, the subject was raised whether it was correct to refer to the unconsecrated elements of bread and wine as “immaculata hostia” (spotless victim) and “calix salutaris” (chalice of salvation) in the offertory prayers. Likewise the legitimacy of the making the sign of the cross over the elements after the Eucharistic consecration was discussed.

— ‘Fr. Uwe Michael Lang, Cong. Orat.’

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