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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Weddings: Some Practical Advice – Introduction

Andrew R. Motyka · August 20, 2014

HATE WEDDINGS. There. I said it. It’s not that I’m an unromantic grouch who hates love and happiness and puppies. It’s that I look at most wedding liturgies and think about how much better they could be, how much symbolism is already packed into the Nuptial Mass and completely missed because of silly accretions and omissions.

Yes, I know. Ranting doesn’t serve anyone, and it does nothing to fix the problem. Before I dive headfirst into a series of wedding advice for both musicians and married-couples-to-be alike, though, it would be helpful if we could identify what the problem is with most Catholic weddings. It goes beyond simple ignoring of the rubrics or bad choices of music. I can get both of those things at a normal Sunday Mass without having to buy a gift. The primary obstacle to good worship at most Catholic wedding Masses is the American wedding industry.

Is there a “wedding industry?” Only if you consider a business that racks up $40 billion a year an industry. Just think of your “average” wedding. It costs over $28 thousand. That’s more than a new car and a down payment on a small house for mostly frivolous things that won’t last longer than the day. We have made a huge business out of spending money for useless additions to weddings and pushed aside any preparation for actual marriage.

The over-planned, over-spent wedding contributes to many of the oddities and distractions that inhabit the usual bad wedding. You spent several thousand dollars on dresses and suits, so you had better have the equivalent of a fashion show runway as your procession. You opened one of your six different wedding planning books and saw a list of music in there that you listened to on YouTube, and I just love Canon in D so much. You just can’t choose between your multitude of friends, you popular person you, and now you have nine bridesmaids (and groomsmen) in the sanctuary with you.

None of these things is truly bad, per se (except Canon in D. Screw that piece), but the emphasis on all of these absolutely insignificant details (that all cost lots and lots of money) draw the focus of both the couple and the congregation away from what really matters. Do you need a test to see if you’re ready for your big wedding day? Answer one question. It’s not “What color are the bridesmaids wearing?” It’s not “How long is this ceremony so we can get to the reception?” It’s not “Where is the photographer, videographer, and the other photographer allowed to stand?”

The Are you ready? question is:

Can you recite your wedding vow right now? It’s three sentences; it’s not long or hard. This is a commitment you are about to make, a bond for the rest of your life. You should know what you are promising. If you can’t remember that, you are not ready, no matter how awesome the bagpiper that’s going to play the recessional is.

You don’t need anything else. Heck, did you know that you don’t even need to have a special Mass, that you could get married at your parish on a Sunday (if your pastor allowed it, and he should)? You don’t need to spend thousands on costumes and whatnot. This is a sacrament, a celebration of the Universal Church. It is not Your Big Day. The Mass is most certainly not Your Celebration any more than it is mine, except in a corporate sense.

What ends up happening is that because the culture, television, and the wedding industry have convinced us that “this is what you need for a wedding,” and we have bought it, it alienates people who don’t want or can’t afford all that. The Catholic marrying a Protestant who is already a little shaky on their faith might just throw his hands up and get married down at the JP. The poor couple who can’t afford even a fraction of the (let’s not forget) $28 thousand wedding might just choose not to get married at all. That is what happens when you make image more important than content.

There’s hope, however. It is possible to have a Catholic wedding Mass that actually looks like a Mass and might even contain a reference or two to God along the way. It is possible to have a beautiful, edifying liturgy that is truly reflective of God’s plan for marriage and gives a good starting point for what is truly only the beginning of a vocational sacrament. I hope I can offer some helpful advice in the coming weeks, giving some tidbits of what the liturgy actually calls for and what, in my experience, works best in these cases.

So here it is. Now that I’ve settled the problem of The Wedding Industry and everyone agrees with me about what is good and what is not about weddings, we can move on to details of making the wedding liturgy better. For these and more delusions, tune in next week!


Series by Andrew R. Motyka:   “Weddings: Some Practical Advice”

FIRST PART • Introduction

SECOND PART • The Very Beginning, Part 1

THIRD PART • The End Of The Beginning, Part 2

FOURTH PART • Word and Vows

Stay tuned for more additions!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Wedding Nuptial Mass Music, Nuptial Mass Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Ways to receive Our Lord as King of the Universe…read and reflect on the Sunday Scriptures, plan your whole weekend around receiving your King, wear your best garments, spend time in quiet, kneel to receive Him, receive Him on the tongue, offer silent time of thanks after mass.”

— Most Rev. Bishop Strickland (15 December)

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