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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

1946 Organ Accompaniments for the Kyriale (Lapierre)

Corpus Christi Watershed · March 19, 2013

Dr. Lapierre Accompaniments for the Kyriale HE FOLLOWING BOOK has been made available for free download courtesy of the Jean de Lalande Library. If you appreciate these efforts, please consider making a donation by using the link at the top of the page.

      * *  1946 Organ Accompaniments for the Kyriale (Lapierre)

• Organ Accompaniments for the “Ordinarium Missæ” by Dr. Eugene Lapierre, the person who gave Roger Wagner his doctorate • Born in Montreal, Lapierre received his earliest musical education at Saint Brigid’s Church in his native city where he was a pupil of choirmaster Lucien Perreault. He then studied the organ with Étienne Guillet and worked as an accompanist at the Royal Military College Saint-Jean. He entered the École des Hautes Études Commerciales where he earned a degree in 1922. From 1924–1928 Lapierre studied in Paris through a grant from the Canadian government, first at the Institut Grégorien where he earned a diploma in 1926 and then at the Schola cantorum where he eared a diploma in 1928. Among his teachers in Paris were Georges Caussade (composition), Vincent d’Indy (composition), Marcel Dupré (organ and improvisation), Simone Plé-Caussade (piano), and P. Sylva Hérard (piano). He went on to earn a diploma in journalism and Doctor of Music (1930) from the Université de Montréal, after which he worked as a journalist for La Patrie. While writing for that newspaper he continued to study the organ with Benoît Poirier. During the 1920s and 1930s Lapierre served as organist for several churches in Montreal, including Saint-Philomène de Rosemont, Saint-Denis, and Saint-Jacques (1922-4 and 1928–36). From 1936–1944 he was organist at Saint-Stanislas-de-Kostka and from 1944–70 he served in that position at Saint-Alphonse-d’Youville. In 1921 he was appointed secretary of the Conservatoire national de musique and was later appointed the school’s director in 1927, a post he held up until his death in 1970. Among his notable pupils are Gaston Allaire, Émilien Allard, Françoise Aubut, Pierre Brabant, Albertine Caron-Legris, Alfred Mignault, Colombe Pelletier, and Édouard Woolley. • Eugène Lapierre (8 June 1899 – 21 October 1970) was a Canadian organist, composer, journalist, writer on music, arts administrator, and music educator. He was awarded the King George V Silver Jubilee Medal in 1935 and the King George VI Coronation Medal in 1937. In 1963 he was named Chevalier of the Order of Malta and in 1966 he received the Bene merenti de patria from the Saint-Jean-Baptiste Society. He is the great uncle of composer Yves Lapierre. •

courtesy of Ted Krasnicki

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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