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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can We Ever “Understand” the Mass?

Dr. Peter Kwasniewski · June 6, 2013

HE CLAIM that the common people, before Vatican II, did not understand the Mass—that they no longer understood what it meant, the significance of its rituals and prayers, and so, as a result, the liturgy had to be updated, modernized, simplified—can be decisively refuted.

First, as is well attested in writing and photographs, all over the world there were immense numbers of Catholics who loved the liturgy and attended it as often as possible—including ordinary peasants and manual laborers. Whatever they cognitively derived from the exact prayers or gestures is insignificant compared to the overall shape, the seriousness and focus, the opportunity to adore in fear and trembling, which the sacred liturgy provided for their spiritual lives. (Related to this fact is the extremely strong preconciliar participation in the sacrament of penance, which also went out the window after the “reform” of the liturgy—perhaps suggesting a more than incidental connection between the form of the Mass and the virtue of penance itself.) The credibility of this historical data is verified by the crowds of people, young and old, who today devoutly and devotedly attend the Tridentine Mass wherever it has been re-introduced, because of the mystical attraction it exercises over serious Catholics who recognize it as a profound immersion in the prayer of Jesus Christ and His Church.

Second, due to the Liturgical Movement in its original fervor, countless missals and prayer books were published and disseminated, containing clear translations of, and often meditations based on, the prayers and gestures of the Mass. As Joseph Ratzinger recollects in Salt of the Earth, there were even “graduated” missals for children, so that at each stage of their maturity they could take one further step in intimacy with the Church’s grand liturgy. People everywhere grew familiar with the Mass, its calendar, ritual, processions, and music, in a far deeper way than anyone now does with the Novus Ordo; the liturgy grew into their hearts, it took root there and found a permanent home. There was never a lack of opportunities for the faithful to enter into the letter and the spirit of the liturgy. A particularly fine example of the resources made available in the nineteenth century would be The Liturgical Year by Dom Gueranger, which continues to nourish readers today.

And a last point should be recalled, in our era more than ever, when preaching has reached an all-time nadir in both content and style. If there was occasionally some failure to understand or appreciate the spiritual-theological depths of divine worship, this was chiefly the fault of priests and bishops. It is their duty to preach about the liturgy no less than about Sacred Scripture and Catholic doctrine, and, in the preconciliar period, faithful priests did just that—witness Romano Guardini’s beautiful Meditations Before Mass, intended for and well appreciated by the “people in the pews.” We see here the pastoral solicitude urged by Pope Francis when he tells pastors to feed their flocks.

A concerted, widespread effort to preach the Mass in all its richness would have sufficed for stirring up a profound renewal of the participation of the faithful at the time of the Second Vatican Council and into our times. This prudent and courageous approach appears never to have been even considered; the choice was made, instead, to simplify to the point of infantilism, so that there would be nothing that needed explanation—which is to say, nothing of mystery, nothing profound, nothing transcendent, nothing rooted in ageless tradition. The reformed liturgy represents the final capitulation of the priesthood to the democratic spirit of modernity: the priest gave up, or was practically compelled to give up, his role as teacher and ruler. As the sociologists and anthropologists were saying back in the seventies, those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Let us do our part to see to it that our own efforts to worship Almighty God (and, depending on our calling, to improve the ars celebrandi of the public worship in which we play some role) are based on a sane and sound understanding of the very heart of worship—the grandeur, majesty, transcendence, and holiness of God, which we cannot comprehend and which we do well to fear and to love with all our souls.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    “To Cover Sin With Smooth Names”
    Monsignor Ronald Knox created several English translations of the PSALTER at the request of the Cardinal Archbishop of Westminster. Readers know that the third edition of the Saint Edmund Campion Missal uses a magnificent translation of the ROMAN CANON (and complete Ordo Missae) created in 1950 by Monsignor Knox. What’s interesting is that, when psalms are used as part of the Ordo Missae, he doesn’t simply copy and paste from his other translations. Consider the beautiful turn of phrase he adds to Psalm 140 (which the celebrant prays as he incenses crucifix, relics, and altar): “Lord, set a guard on my mouth, a barrier to fence in my lips, lest my heart turn to thoughts of evil, to cover sin with smooth names.” The 3rd edition of the CAMPION MISSAL is sleek; it fits easily in one’s hand. The print quality is beyond gorgeous. One must see it to believe it! You owe it to yourself—at a minimum—to examine these sample pages from the full-color section.
    —Jeff Ostrowski
    Heretical Hymns
    As a public service, perhaps a theologian ought to begin assembling a heretical hymns collection. A liturgical book—for funerals!—published by the Collegeville Press contains this monstrosity by someone named “Delores Dufner.” I can’t tell what the lyrics are trying to convey—can you? I detest ‘hymns’ with lines such the one she came up with: “Let the thirsty come and drink, Share My wine and bread.” Somehow, the publication was granted an IMPRIMATUR by Most Rev’d Jerome Hanus (bishop of Saint Cloud) on 16 August 1989. It’s a nice tune, but paired with a nasty text!
    —Jeff Ostrowski
    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
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Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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  • Fulton J. Sheen • “24-Hour Catechism”
  • “Reminder” — Month of Febr. (2026)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.