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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Can We Ever “Understand” the Mass?

Dr. Peter Kwasniewski · June 6, 2013

HE CLAIM that the common people, before Vatican II, did not understand the Mass—that they no longer understood what it meant, the significance of its rituals and prayers, and so, as a result, the liturgy had to be updated, modernized, simplified—can be decisively refuted.

First, as is well attested in writing and photographs, all over the world there were immense numbers of Catholics who loved the liturgy and attended it as often as possible—including ordinary peasants and manual laborers. Whatever they cognitively derived from the exact prayers or gestures is insignificant compared to the overall shape, the seriousness and focus, the opportunity to adore in fear and trembling, which the sacred liturgy provided for their spiritual lives. (Related to this fact is the extremely strong preconciliar participation in the sacrament of penance, which also went out the window after the “reform” of the liturgy—perhaps suggesting a more than incidental connection between the form of the Mass and the virtue of penance itself.) The credibility of this historical data is verified by the crowds of people, young and old, who today devoutly and devotedly attend the Tridentine Mass wherever it has been re-introduced, because of the mystical attraction it exercises over serious Catholics who recognize it as a profound immersion in the prayer of Jesus Christ and His Church.

Second, due to the Liturgical Movement in its original fervor, countless missals and prayer books were published and disseminated, containing clear translations of, and often meditations based on, the prayers and gestures of the Mass. As Joseph Ratzinger recollects in Salt of the Earth, there were even “graduated” missals for children, so that at each stage of their maturity they could take one further step in intimacy with the Church’s grand liturgy. People everywhere grew familiar with the Mass, its calendar, ritual, processions, and music, in a far deeper way than anyone now does with the Novus Ordo; the liturgy grew into their hearts, it took root there and found a permanent home. There was never a lack of opportunities for the faithful to enter into the letter and the spirit of the liturgy. A particularly fine example of the resources made available in the nineteenth century would be The Liturgical Year by Dom Gueranger, which continues to nourish readers today.

And a last point should be recalled, in our era more than ever, when preaching has reached an all-time nadir in both content and style. If there was occasionally some failure to understand or appreciate the spiritual-theological depths of divine worship, this was chiefly the fault of priests and bishops. It is their duty to preach about the liturgy no less than about Sacred Scripture and Catholic doctrine, and, in the preconciliar period, faithful priests did just that—witness Romano Guardini’s beautiful Meditations Before Mass, intended for and well appreciated by the “people in the pews.” We see here the pastoral solicitude urged by Pope Francis when he tells pastors to feed their flocks.

A concerted, widespread effort to preach the Mass in all its richness would have sufficed for stirring up a profound renewal of the participation of the faithful at the time of the Second Vatican Council and into our times. This prudent and courageous approach appears never to have been even considered; the choice was made, instead, to simplify to the point of infantilism, so that there would be nothing that needed explanation—which is to say, nothing of mystery, nothing profound, nothing transcendent, nothing rooted in ageless tradition. The reformed liturgy represents the final capitulation of the priesthood to the democratic spirit of modernity: the priest gave up, or was practically compelled to give up, his role as teacher and ruler. As the sociologists and anthropologists were saying back in the seventies, those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Let us do our part to see to it that our own efforts to worship Almighty God (and, depending on our calling, to improve the ars celebrandi of the public worship in which we play some role) are based on a sane and sound understanding of the very heart of worship—the grandeur, majesty, transcendence, and holiness of God, which we cannot comprehend and which we do well to fear and to love with all our souls.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“In chronological order, [Dom Pierre Combe] traces the Gregorian reform from its beginnings under Dom Guéranger in 1833, to the problems of the Vatican Commission on Sacred Music in the first decade of the 20th century. As one reads the topic headings and development of their content, one wonders how such an innocent and un-warlike subject such as Gregorian chant could have been the focal point of such an intense and continuing battle among scholars and churchmen for so many decades.”

— Dr. Theodore Marier (1968)

Recent Posts

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  • Extreme Unction
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