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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Silence (Part 2 of 3)

Dr. Peter Kwasniewski · July 18, 2013

660 Window N 2003, Blessed John Paul II reminded the Church:

One aspect that we must foster in our communities with greater commitment is the experience of silence. We need silence if we are to accept in our hearts the full resonance of the voice of the Holy Spirit and to unite our personal prayer more closely to the Word of God and the public voice of the Church. In a society that lives at an increasingly frenetic pace, often deafened by noise and confused by the ephemeral, it is vital to rediscover the value of silence.

These words reminded me of these poignant lines in T. S. Eliot:

Where shall the word be found, where will the word

Resound? Not here, there is not enough silence

Not on the sea or on the islands, not

On the mainland, in the desert or the rain land,

For those who walk in darkness

Both in the day time and in the night time

The right time and the right place are not here

No place of grace for those who avoid the face

No time to rejoice for those who walk among noise and deny the voice.

Three things are packed into that last verse: no time to rejoice—for those who walk among noise—and deny the voice. An essential condition for man to be sane and rational and joyful is that he must, at times, let go of his everyday concerns, the whirling wheels of his calculating and planning, the burdens and cares of this life, and enter into the presence of the eternal and infinite God whom he cannot grasp, cannot dictate to, cannot manipulate, but only adore and love.

It is a paradox: we will not find time for rejoicing unless we sacrifice time to “do nothing,” to make a burnt offering of our life and our time before the Lord. This is not quite the same thing as going to Mass or performing a particular pious work. I am speaking strictly of simple silence, without props, without scripts or safe paths. Only by making a choice for inactivity, as it were, will we habituate ourselves to stop walking among noise and stop denying the voice. Perhaps this is why the prophet Isaiah says: Cultus iustitiae silentium—the worship of justice is silence (Is 32:17, Vulg.), as if to say, we owe everything to God, in whom we live and move and have our being, and it is justice to worship Him in the silence of recollection.

Gabriel Marcel, a perceptive philosopher of the interior life, had this to say about the relationship between recollection and mystery:

Not only am I in a position to impose silence upon the strident voices which usually fill my consciousness, but also, this silence has a positive quality. Within the silence, I can regain possession of myself. It is in itself a principle of recovery. I should be tempted to say that recollection and mystery are correlatives.

Is this not another way of saying: “He who loses his life for my sake will find it”? We lose possession of what is more exterior to us and gain possession of the innermost reality—God closer to me than myself, and yet higher than the highest in me. If the conditions for recollection are never present in our lives, if we do not fight to create and guard such conditions, we will lose our awareness of divine mystery, as refreshing as springtime rains, and wander in a desert of superficiality.

The passage quoted earlier from John Paul II continues with a specific recommendation directed to the pastors of the Church:

The spread, also outside Christian worship, of practices of meditation that give priority to recollection is not accidental. Why not start with pedagogical daring a specific education in silence within the coordinates of personal Christian experience? Let us keep before our eyes the example of Jesus, who “rose and went out to a lonely place, and there he prayed” (Mk 1: 35). The Liturgy, with its different moments and symbols, cannot ignore silence.

(Read Part 1 here.)

Photo courtesy Fr. Lawrence Lew

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

By far, the event that caused the biggest increase in requests for indults from the morning Mass requirement was the Second World War. The unusual requirements of providing Mass during wartime led to some unique legislation accommodating the time of Mass. Already in 1940, Pope Pius XII issued a motu proprio addressing the situation of holding Mass in countries where a “Black-out” had been ordered.

— Father Shawn P. Tunink

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