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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musings of an Aristotelian Catholic

Dr. Peter Kwasniewski · August 22, 2013

476 Kwasniewski F I WERE to write a book in defence of Aristotle’s epistemology, I would entitle it The Primacy of Here and Now, the Ultimacy of Everywhere and Always.

As my central proof I would offer the mystery of love, which, in keeping with its paradoxical nature, makes a man rooted while uprooting him. On the one hand, Aristotle is an absolutely unbending realist: whatever I can see, hear, touch, taste, smell, feel, or otherwise perceive, is The Real; compared to these, concepts, memories, and imaginings are Less Real. On the other hand, Aristotle is an uncompromising spiritualist: God, the unseen, untouched, inaccessible, imperceptible object of pure thought is The Real, and the entire universe of bodies undergoing alteration, substantial change, and local motion is Less Real, emanating from Him who is the First Principle, striving upwards towards Him who is the Last End. Form and matter, the two great principles of all composites, are themselves unseen, untouched, and the rest. We surmise their necessary presence, hidden though they are behind the veil of common experience.

The Here and the Now is our daily bread, our human sacrament. What is Everywhere and Always is difficult to penetrate, hard to recognise, noble beyond all words, wise beyond all thoughts, consoling to the immortal man. The concrete physical presence of the beloved is the focus, the goal, the fulfillment of the Here and Now, but it is only the beginning of the Real Presence, the spiritual omnipresence of the beloved, by which the Here and the Now is elevated, enlarged, suffused with intimations of eternity and ubiquity that not even (what mortals call) absence can forestall or weaken.

Touch is the only sense that puts us, as we say, “in touch with” reality, touch tells us that things are there, not just in the mind. Touch is closer to matter, but also closer to the truth of material things, which have their being in matter; sight is closer to form. Touch is the sense of certainty. Whatever is fundamental to the sense of touch is fundamental to things themselves. This is our immediate and unshakeable perception of the world that lies before us, the world we “grasp.”

In the mystery of the Incarnation, God takes delight in responding to this foundation of sanity and realism. The being of the Word is not just to be divine, spiritual, holy, but to be man, and therefore to be bodily, embodied, tangible. Christ tells the doubting Thomas to touch him, He tells Mary Magdalen not to touch him. St. John later writes: “That which was from the beginning, which we have heard, which we have seen with our eyes, which we have looked upon and touched with our hands, concerning the word of life—the life was made manifest, and we saw it, and testify to it, and proclaim to you the eternal life which was with the Father and was made manifest to us…” (1 Jn 1:1–2)

In our Lord Jesus Christ, the God who is Always and Everywhere, who dwells in Light inaccessible, infinitely beyond us evanescent and confined mortals, deigns to become the Here and Now in flesh and blood, a body we can touch and hold on to for certain, a soul we can intimately know and love. Praised be this man, our God and Lord Jesus Christ, now and forever! “He is the head of the body, the Church; He is the beginning, the firstborn from the dead, that in all things he may hold the primacy.”

I make my own the wonderfully incarnational prayer of St. Gertrude the Great: “May my heart and my soul, with all the substance of my flesh, all my senses, and all the powers of my body and my mind, with all creatures, praise Thee and give Thee thanks, O sweet Lord, faithful lover of mankind, for Thy infinite mercy”!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Peter Kwasniewski

A graduate of Thomas Aquinas College (B.A. in Liberal Arts) and The Catholic University of America (M.A. and Ph.D. in Philosophy), Dr. Peter Kwasniewski is currently Professor at Wyoming Catholic College. He is also a published and performed composer, especially of sacred music.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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