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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Participating Actively despite all of that Active Participation

Andrew R. Motyka · April 10, 2013

t’s something I’ve confessed more than once: my failure to engage in what is happening during the Mass. Despite the fact that I am singing, playing the organ, or conducting for almost half of the Mass, I often completely fail to participate. How can this be? Isn’t this what is meant by the “active participation” that is one of the liturgical goals of the Second Vatican Council? Isn’t the involvement of the laity in the liturgy a success? Well, yes, but not necessarily in the way you think.

What am I doing here, if this is my internal monologue:

Downbeat tenors, sopranos on two. Basses next, followed by altos. Offbeat entrances by basses, then tenors, altos, sopranos. Don’t forget to crescendo across the stong beat…

Why, I’m conducting the first phrase of Giovanni Croce’s O Sacrum Convivium this coming Sunday, the Third Sunday of Easter.

Do you know what I’m not doing? Praying:

O Sacred Banquet in which Christ is received…

Sure, you might argue that I am praying this piece in a different way than the congregation is, but I am not engaging the music, and certainly not the action of the liturgy, in the same way that the non-singer or non-director is. I’m working right now.

And that’s fine. We all have our jobs and our roles in liturgy. However, I’m a Catholic, too, and should be actively participating in the liturgy (there’s that phrase again). I should be praying. The question here is, “How do we engage the liturgy prayerfully when we’re busy doing all of the ‘things’ that need our attention?”

It isn’t easy. There are a few tips I’ve figured out over the years, but I can’t say I’ve mastered them. Here are some starting points, though:

1. Prepare for the liturgy.

Oh, why didn’t you say so? Here I’ve been just showing up and doing it all this time. Actually, what I mean is to take care of all of the mundane “extras” before the Mass begins. I make a binder that has every piece of my music in it, in order, so I don’t have to “fish” for a single thing once the Mass begins. This includes all of the hymns, ordinaries, choir pieces, and even organ interludes. Don’t leave anything to chance; the fewer non-liturgical concerns you have during Mass, the better.

2. Prepare for the liturgy.

If I have to focus on every single cue, on every fingering passage, or on every entrance, I’ve lost the battle for liturgical focus before I’ve even begun. These things need to be worked out long before the bells ring to begin the Mass. I strongly recommend using an old musician’s trick, which consists of studying and repeating the planned music several times before executing it live. Sometimes we call this trick “practice.”

3. Prepare for the liturgy.

Seeing a trend here? The reality is that none of us is ever really perfectly disposed for prayer. We get distracted by all sorts of things (You think I have it bad? Ask my wife, who watches my two children, ages 4 and 5, during Mass. She’s my heroine). Take a minute before Mass and pray to the Holy Spirit that you be focused on the prayers of the Mass. Ready yourself spiritually to engage in the mysteries before you begin. This puts you in the proper disposition prior to the first downbeat.

So how do you actively participate despite all of that participation? Focus yourself during the non-musical moments. Don’t look for the next piece of music. Don’t micro-manage your choir regarding the next entrance. You’ve done the preparation. Now pray: there’s a miracle going on up there on the altar, and you don’t want to miss it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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