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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Participating Actively despite all of that Active Participation

Andrew R. Motyka · April 10, 2013

t’s something I’ve confessed more than once: my failure to engage in what is happening during the Mass. Despite the fact that I am singing, playing the organ, or conducting for almost half of the Mass, I often completely fail to participate. How can this be? Isn’t this what is meant by the “active participation” that is one of the liturgical goals of the Second Vatican Council? Isn’t the involvement of the laity in the liturgy a success? Well, yes, but not necessarily in the way you think.

What am I doing here, if this is my internal monologue:

Downbeat tenors, sopranos on two. Basses next, followed by altos. Offbeat entrances by basses, then tenors, altos, sopranos. Don’t forget to crescendo across the stong beat…

Why, I’m conducting the first phrase of Giovanni Croce’s O Sacrum Convivium this coming Sunday, the Third Sunday of Easter.

Do you know what I’m not doing? Praying:

O Sacred Banquet in which Christ is received…

Sure, you might argue that I am praying this piece in a different way than the congregation is, but I am not engaging the music, and certainly not the action of the liturgy, in the same way that the non-singer or non-director is. I’m working right now.

And that’s fine. We all have our jobs and our roles in liturgy. However, I’m a Catholic, too, and should be actively participating in the liturgy (there’s that phrase again). I should be praying. The question here is, “How do we engage the liturgy prayerfully when we’re busy doing all of the ‘things’ that need our attention?”

It isn’t easy. There are a few tips I’ve figured out over the years, but I can’t say I’ve mastered them. Here are some starting points, though:

1. Prepare for the liturgy.

Oh, why didn’t you say so? Here I’ve been just showing up and doing it all this time. Actually, what I mean is to take care of all of the mundane “extras” before the Mass begins. I make a binder that has every piece of my music in it, in order, so I don’t have to “fish” for a single thing once the Mass begins. This includes all of the hymns, ordinaries, choir pieces, and even organ interludes. Don’t leave anything to chance; the fewer non-liturgical concerns you have during Mass, the better.

2. Prepare for the liturgy.

If I have to focus on every single cue, on every fingering passage, or on every entrance, I’ve lost the battle for liturgical focus before I’ve even begun. These things need to be worked out long before the bells ring to begin the Mass. I strongly recommend using an old musician’s trick, which consists of studying and repeating the planned music several times before executing it live. Sometimes we call this trick “practice.”

3. Prepare for the liturgy.

Seeing a trend here? The reality is that none of us is ever really perfectly disposed for prayer. We get distracted by all sorts of things (You think I have it bad? Ask my wife, who watches my two children, ages 4 and 5, during Mass. She’s my heroine). Take a minute before Mass and pray to the Holy Spirit that you be focused on the prayers of the Mass. Ready yourself spiritually to engage in the mysteries before you begin. This puts you in the proper disposition prior to the first downbeat.

So how do you actively participate despite all of that participation? Focus yourself during the non-musical moments. Don’t look for the next piece of music. Don’t micro-manage your choir regarding the next entrance. You’ve done the preparation. Now pray: there’s a miracle going on up there on the altar, and you don’t want to miss it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew R. Motyka

Andrew Motyka is the Archdiocesan Director of Liturgical Music and Cathedral Music for the Archdiocese of Indianapolis.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The sun’s disc did not remain immobile. This was not the sparkling of a heavenly body, for it spun round on itself in a mad whirl, when suddenly a clamor was heard from all the people. The sun, whirling, seemed to loosen itself from the firmament and advance threateningly upon the earth as if to crush us with its huge fiery weight. The sensation during those moments was terrible.”

— ‘Dr. Almeida Garrett, professor of natural sciences at the University of Coimbra (1917)’

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