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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Advent Exercise

Fr. David Friel · December 5, 2011

One of the biggest blessings of this third edition of the Roman Missal, for me, has been proclaiming the new proper orations. In particular, the prayer the priest prays at the end of the Introductory Rites (called the Collect) has really caught my attention for the last two weeks.

Both of these Collects give us the same image for Advent: the image of a run. On the first Sunday of Advent, we prayed this: “Grant Your faithful, we pray, almighty God, the resolve to run forth to meet Your Christ.” What a perfect match that is with this week’s oration: “Almighty and merciful God, may no earthly undertaking hinder those who set out in haste to meet Your Son.” Maybe it’s just because I’m a runner, but these prayers seem so appropriate for the season of Advent.

You don’t have to be a fitness guru to appreciate the imagery, though. If you’ve ever gone for a run at all, you know that it’s not uncommon to start out strong but gradually lose steam. Or, once you get going, something throws you off, like a pebble that works its way into your shoe or a piece of uneven sidewalk that trips you. There are plenty of things that could easily derail our Advent preparations, but we have to remain steadfast if we’re going to reach the finish line.

The prophet Isaiah exhorts us: “Make straight . . . a highway for our God! Every valley shall be filled in, every mountain and hill shall be made low.” That’s every runner’s dream! I ran the Philadelphia Marathon last year, and—I assure you—I wouldn’t have minded if someone had “made low” the hills throughout those 26.2 miles! John the Baptist’s vision is no different from Isaiah’s image when he says, “Prepare the way of the Lord! Make straight His paths!” A way prepared for the Lord has no pebbles or pavement to prevent us from receiving God’s grace.

Advent (and, really, the whole Christian life) is a process of removing obstacles to grace so that we can receive God’s blessings. What are the things—the “earthly undertakings”—that somehow “hinder” us from continuing the run toward Christ that we began last week? Are we still setting out in haste to meet Him, or have we allowed our Advent sprint to become a jog or a walk or a crawl?

It’s not out of the ordinary to begin running and then lose steam along the way. But Advent is no ordinary run. At the end of the Philly marathon, I got a pretzel, a T-shirt, and a high-five from Mayor Nutter. At the end of our Advent run is Jesus Christ, Himself.

Let’s keep running toward Him with the same energy we set out with last week. In the words of the first Letter to the Corinthians (1 Cor 9:24): “Run so as to win!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

If then Dom Pothier has sometimes adapted authentic melodies found elsewhere in the manuscripts to texts of the Mass it is not, as Mr. X. maintains, because he has “composed them from scratch and declared them as traditional.”

— Most Rev’d Henri Laurent Janssens (25 November 1905)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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