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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

A New Sacred Music Institute • with Free Tuition!

Jeff Ostrowski · October 14, 2020

E RECEIVE MILLIONS of unique visitors on the internet. That may not sound impressive, but please remember that we are dedicated to authentic Sacred music. (We would receive more ‘clicks’ if we allowed libel, character assassination, and gossip, but we’re against those.) It is within the power of our readers—without lifting a finger or spending a dime—to instantly create a brand new SACRED MUSIC INSTITUTE, including a gorgeous brick building, fabulous rehearsal rooms, pristine instruments, a concert hall, a student chapel, an outstanding faculty, and even an endowment…which would have free tuition for all who attend.

If only everyone knew how easy this is!

It’s literally FREE MONEY, and it requires seconds to accomplish:

If all who visit our website followed that video, we could instantaneously build a gigantic SACRED MUSIC INSTITUTE and change the world! What’s more, we could offer free tuition, because Amazon Smile would be paying the bills. If only I could do a better job of making people aware of this!

I personally generated $90.89 for Watershed last year—and otherwise that money would have gone to waste!

Please do this—otherwise
your money is going to waste!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 14, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski
6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski
2 January 2021 • Temptation

When I see idiotic statements made on the internet, I go nuts. When I see heretics promoted by people who should know better, I get angry. Learning to ignore such items is difficult—very difficult. I try to remember the words of Fr. Valentine Young: “Do what God places in front of you each day.” When I am honest, I don’t believe God wants me to dwell on errors and idiocy; there’s nothing I can do about that. During 2021, I will strive to do a better job following the advice of Fr. Valentine.

—Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

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