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A new article on the Sequences of the Roman Rite in the “Adoremus Bulletin”


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Antiphon Journal Expands Its Archives
2017 May 21 by Fr. David Friel

Recent issues now available for preview through Project MUSE.


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Podcast on Sacred Music
2017 May 14 by Fr. David Friel

An interview with the blog, “Seminarian Casual”


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Summer 2017 looks to be a blockbuster period for sacred music activity.


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This is the sort of setting that could only have derived from faith and grown out of the experience of praying these words repeatedly and fervently.


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A new chant workshop in upstate New York in June 2017.


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Square Note App
2017 April 09 by Fr. David Friel

Bring your “Graduale Digitalum” wherever you go.


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Two Articles Worth Reading
2017 April 02 by Fr. David Friel

On “Liturgiam authenticam” and the Crisis in Art


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The Joy of Penance
2017 March 25 by Fr. David Friel

The celebration of Laetare Sunday reveals a deeper truth.


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What to Do with the “Fourth Option”
2017 March 19 by Fr. David Friel

A new Adoremus article explores how best to overthrow the tyranny of “alius cantus congruus.”


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I was renewed in spirit for a future filled with hope for liturgical music.


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Revisiting Musicam Sacram
2017 March 08 by Fr. David Friel

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity


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Is There Music in Heaven?
2017 March 05 by Fr. David Friel

The Sights and Sounds of St. John’s Apocalypse


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The Purpose of Art
2017 February 26 by Fr. David Friel

Considerations from Tolstoy


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Will All Men Be Saved?
2017 February 19 by Fr. David Friel

Hope vs. Certainty


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The Japanese Martyrs
2017 February 06 by Fr. David Friel

Extraordinary Strength of Faith


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God Has No Need of Our Music
2017 February 05 by Fr. David Friel

A Thought from Saint Irenaeus of Lyons


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In Defense of the Organ Postlude
2017 January 30 by Fr. David Friel

Newly-published reflections from Professor Kwasniewski.


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Conference Updates
2017 January 29 by Fr. David Friel

Dunwoodie Chant Conference & Sacra Liturgia Milano


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Motet for Three Voices: “O Crux Ave”
2017 January 22 by Fr. David Friel

This piece is ideal for use as a motet during the veneration of the Holy Cross at the Good Friday liturgy.


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