About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”
— Fr. Joseph Gelineau (1978)

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Brave Schola Director Posts “Live” Recording
published 8 February 2018 by Jeff Ostrowski

EAR AFTER YEAR goes by, and I never cease to be fascinated by recordings of choral music—they always sound terrible! They seldom reproduce the true choral sound with anything approaching accuracy. I’m physically present, so I know how good it sounds; but when I go home and hear a recording I recoil in horror. Which should I believe: My own ears, or the pocket recorder? I ask myself again and again, without ever becoming reconciled to this bizarre phenomenon.

Someone recorded snippets of our FSSP choir singing (28 January 2018):


The ladies singing the Gradual psalm tone was gorgeous in real life. The “live” pocket recording sounds terrible by comparison.

Believe me. I was there.