About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“How can we enter into this interior disposition except by turning physically—all together, priest and faithful—toward the Lord who comes, toward the East symbolized by the apse where the cross is enthroned? The outward orientation leads us to the interior orientation that it symbolizes. Since apostolic times, Christians have been familiar with this way of praying. It is not a matter of celebrating with one’s back to the people or facing them, but toward the East, «ad Dominum», toward the Lord.”
— Robert Cardinal Sarah, Prefect of the Vatican's Congregation for Divine Worship (October 2016)

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Brave Schola Director Posts “Live” Recording
published 8 February 2018 by Jeff Ostrowski

EAR AFTER YEAR goes by, and I never cease to be fascinated by recordings of choral music—they always sound terrible! They seldom reproduce the true choral sound with anything approaching accuracy. I’m physically present, so I know how good it sounds; but when I go home and hear a recording I recoil in horror. Which should I believe: My own ears, or the pocket recorder? I ask myself again and again, without ever becoming reconciled to this bizarre phenomenon.

Someone recorded snippets of our FSSP choir singing (28 January 2018):


The ladies singing the Gradual psalm tone was gorgeous in real life. The “live” pocket recording sounds terrible by comparison.

Believe me. I was there.