About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.
— Pope Francis' Chief Liturgist (31 March 2017)

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Brave Schola Director Posts “Live” Recording
published 8 February 2018 by Jeff Ostrowski

EAR AFTER YEAR goes by, and I never cease to be fascinated by recordings of choral music—they always sound terrible! They seldom reproduce the true choral sound with anything approaching accuracy. I’m physically present, so I know how good it sounds; but when I go home and hear a recording I recoil in horror. Which should I believe: My own ears, or the pocket recorder? I ask myself again and again, without ever becoming reconciled to this bizarre phenomenon.

Someone recorded snippets of our FSSP choir singing (28 January 2018):


The ladies singing the Gradual psalm tone was gorgeous in real life. The “live” pocket recording sounds terrible by comparison.

Believe me. I was there.