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Father Charles Garnier, the Apostle to the Hurons and the Petuns, has left a memory of exceptional heroism. In the last moments of the agony that ended in his death, he tried with his waning energies to save the soul of another.
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The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.
— Orby Shipley (1884)

Theodore Marier • “Good Hymns for Worship” (1957)
published 8 September 2017 by Corpus Christi Watershed

HEODORE N. MARIER (d. 2001) graduated from Boston College in 1934, and stayed on to become director of the Musical Clubs and a lecturer on music until the Second World War. Also in 1934, he began his work at St. Paul’s Catholic Church, Harvard Square, which lasted for 50 years. His musical interest in the Catholic liturgy encompassed the organ, publishing, the schola cantorum, and polyphony, but always remained centered on Gregorian Chant and the active participation of the congregation.

A reader kindly sent us these transcripts from the “Catholic Music Hour” (September 1957):

    * *  PDF Download • “Introduction”

    * *  PDF Download • “Polyphony Old and New”

    * *  PDF Download • “Good Hymns for Better Worship”

    * *  PDF Download • “Music in the Mass”

An excerpt:

4483 Marier

Without question, the best description of Dr. Theodore Marier is this article on his life written by Very Rev. Robert A. Skeris in 2001.