About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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Friedman met Egon Wellesz in Altaussee on one of the walks, and Egon started to speak about atonal music—and Ignaz replied: “No, no, no. Melody for me.”
— From the Life of Ignazy Friedman

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Rehearsal Videos • Masterpiece w/ Cantus Firmus
published 9 June 2016 by Jeff Ostrowski

URING A DISCUSSION at the Sacred Music Symposium, we spoke about the importance of “layered” pieces for volunteer choirs. I hope you will go here and download the 128-page musical book, because page 70 is devoted entirely to the concept of layered pieces. Moreover, I hope you will visit this page and find #3473, because otherwise the following piece will confuse you. It can replace verse 3, and that’s why I’ve called it “Verse 3b.” It uses that same beautiful Gregorian hymn for the CANTUS FIRMUS in a spectacular way. (I really do hope you’ll investigate #3473 !!!)

Can you tell which voice is not mine? 1

    * *  PDF Download • Verse 3b from HYMN TO THE SACRED TRINITY


REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

CANTUS FIRMUS : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio



NOTES FROM THIS ARTICLE:

1   I used a professional singer for one of the voice parts.