About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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"The Consilium is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there. This negative mentality is unjust and pernicious, and unfortunately, Paul VI tends a little to this side. They have all the best intentions, but with this mentality they have only been able to demolish and not to restore."
— Contemporary account of the Consilium by Cardinal Antonelli

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Chosen Your Easter Alleluia Yet?
published 26 January 2016 by Jeff Ostrowski

HE CHOIR HERE in Los Angeles usually sings the Gradual to a mode VIII psalm tone, mixing it with a polyphonic “Alleluia.” Below is a sumptuous setting by Francisco Guerrero (d. 1599), a marvelous composer who lived a very interesting life:

    * *  PDF Download • “ALLELUIA” for the Blessed Virgin (Guerrero)


When Guerrero was alive, the Gradual & Alleluia may have been sung in plainsong, but I suspect many Cathedrals also employed falsobordone, as they did for breviary psalm verses. The Alleluia in that video originally had a different text. 1

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio



NOTES FROM THIS ARTICLE:

1   When the text is changed, it’s called “contrafactum.”