About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“Each Mass contains the slaying of the Victim, not repeated here in the West after centuries, made once only long ago in Palestine, yet part of the sacrifice offered throughout the world each morning. All Masses are one sacrifice, including the death of the cross, continuing through all time the act of offering then begun … Every time we hear Mass we look across that gulf of time, we are again before the cross, with his mother and St. John; we offer still that victim then slain, present here under the forms of bread and wine.”
— Fr. Adrian Fortescue (d. 1923)

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“Hymn To The Blessed Virgin Mary” • Caswall & Parry
published 4 April 2016 by Jeff Ostrowski

INGING HYMNS IN HARMONY can be a marvelous way to enhance the liturgy and help your singers get used to “independent” vocal lines. However, it’s not always possible. Perhaps your choir is not ready, or you have an insufficient number of singers. Perhaps the tessitura causes problems. Sadly, I’ve heard many choirs attempting SATB when they are not ready for it.

In those circumstances, an arrangement for two voices might be the best choice, such as:

    * *  PDF Download • “Hymn to the Blessed Virgin Mary”

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

FEMALE : YouTube   •   Audio

MALE : YouTube   •   Audio