About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“Sacred music, being a complementary part of the solemn liturgy, participates in the general scope of the liturgy, which is the glory of God and the sanctification and edification of the faithful. It contributes to the decorum and the splendor of the ecclesiastical ceremonies, and since its principal office is to clothe with suitable melody the liturgical text proposed for the understanding of the faithful, its proper aim is to add greater efficacy to the text, in order that through it the faithful may be the more easily moved to devotion and better disposed for the reception of the fruits of grace belonging to the celebration of the most holy mysteries.”
— Pope Saint Pius X

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Simple 2-Part Canon For Men & Women
published 7 November 2015 by Jeff Ostrowski

ERE’S AN INGENIOUS version by Henri Durieux of a truly splendid hymn (EISENACH). Don’t try to do everything at once. Begin by singing the entire hymn in unison, then “graduate” to the canonic treatment. Finally, work in the SATB setting.

The following rehearsal video demonstrates two (2) verses only:

    * *  PDF Download • “EISENACH” by H. Durieux

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

Organist plays from this score or the HIGHER KEY.


The issue of hymns rhyming is one we come back to again and again. The Latin version does not rhyme, and tons of Latin hymns don’t. The English version rhymes ABAB, but many versions use AABB. For the record, the New English Hymnal adopts both for this tune: 292b uses ABAB, while 425 uses AABB. Both are fine.