About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”
— Fr. Louis Bouyer, an important member of the Consilium

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Simple 2-Part Canon For Men & Women
published 7 November 2015 by Jeff Ostrowski

ERE’S AN INGENIOUS version by Henri Durieux of a truly splendid hymn (EISENACH). Don’t try to do everything at once. Begin by singing the entire hymn in unison, then “graduate” to the canonic treatment. Finally, work in the SATB setting.

The following rehearsal video demonstrates two (2) verses only:

    * *  PDF Download • “EISENACH” by H. Durieux

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

Organist plays from this score or the HIGHER KEY.


The issue of hymns rhyming is one we come back to again and again. The Latin version does not rhyme, and tons of Latin hymns don’t. The English version rhymes ABAB, but many versions use AABB. For the record, the New English Hymnal adopts both for this tune: 292b uses ABAB, while 425 uses AABB. Both are fine.