About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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“How can we enter into this interior disposition except by turning physically—all together, priest and faithful—toward the Lord who comes, toward the East symbolized by the apse where the cross is enthroned? The outward orientation leads us to the interior orientation that it symbolizes. Since apostolic times, Christians have been familiar with this way of praying. It is not a matter of celebrating with one’s back to the people or facing them, but toward the East, «ad Dominum», toward the Lord.”
— Robert Cardinal Sarah, Prefect of the Vatican's Congregation for Divine Worship (October 2016)

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“Omnes Gentes Plaudite” • Sequence For Ascension
published 13 May 2015 by Jeff Ostrowski

HE ANCIENT MANUSCRIPTS are full of the most gorgeous artwork imaginable. For instance, how can these examples be outdone?


Now, check out this picture from the SEQUENCE FOR THE ASCENSION (abolished by Trent):

778 DETAIL Ascension Sequence


When you read the translation, you’ll understand why they chose that exact spot:

772 Omnes Gentes Plaudite


Courtesy of the Musica Sacra Forum, Chris McAvoy has provided the chant notation (01 02).

By the way, you can download 7,055 pages of jaw-dropping liturgical manuscripts courtesy of the Heinrich Heine museum.