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Father Charles Garnier, the Apostle to the Hurons and the Petuns, has left a memory of exceptional heroism. In the last moments of the agony that ended in his death, he tried with his waning energies to save the soul of another.
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"Upon the road, René was always occupied with God. His words and the discourses he held were all expressive of submission to the commands of Divine Providence, and showed a willing acceptance of the death which God was sending him. He gave himself to God as a sacrifice, to be reduced to ashes by the fires of the Iroquois, which that good Father's hand would kindle. He sought the means to bless Him in all things and everywhere. Covered with wounds as he himself was, Goupil dressed the wounds of other persons, of the enemies who had received some blows in the fight as well as those of the prisoners. He opened the vein for a sick Iroquois. And he did it all with as much charity as if he had done it to persons who were his best friends."
— St. Isaac Jogues (writing in 1643)

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National Catholic Register Mentions Watershed Hymnal
published 30 October 2013 by Corpus Christi Watershed

249 Latin M The National Catholic Register published an article on Sacred music a few days ago. Here are some excerpts:

HE HIGHEST FORM of song, as expressed in Sacrosanctum Concilium, the Second Vatican Council’s dogmatic constitution on the sacred liturgy, is Gregorian chant. The form, history and performance style of this centuries-old liturgical practice are taught by Nicholas Will to Franciscan music majors. Despite most of them not having prior experience with the subject, they have been comfortable with learning it.   […]

Kurt Poterack cites the resurgence of the once-dormant Church Music Association of America, the publication of the Adoremus Hymnal, St. Michael Hymnal, St. Edmund Campion Hymnal and the sacred music from the Society of St. John Cantius and the Benedictines of Mary, Queen of the Apostles, as examples of a renewal that “would have been unthinkable 20 to 30 years ago.”   [source]