About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“We decided to entrust this work to learned men of our selection. They very carefully collated all their work with the ancient codices in Our Vatican Library and with reliable, preserved or emended codices from elsewhere. Besides this, these men consulted the works of ancient and approved authors concerning the same sacred rites; and thus they have restored the Missal itself to the original form and rite of the holy Fathers.”
— Pope St. Pius V (Quo Primum, 1570)

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At Mass This Sunday …
published 28 October 2013 by Jeff Ostrowski

269 Gloria Intone ROM TIME TO TIME, I help out at local parishes here in the city. I had to stop playing organ at the Cathedral when I became a father.

Anyway, at Mass this Sunday, the priest intoned the Gloria, and the choir and congregation continued. It was a truly marvelous effect! Somehow, this simple gesture reminded us in a powerful way that we — all of us together — are praying. It’s hard to believe what a beautiful effect it was, in this small, local parish where it occurred.

By the way, they sang the Gloria in honor of St. Anne Line (practice video).

If it’s not possible for the Priest to intone the Gloria, the choir or cantor can start. This is allowed in the post-Conciliar rubrics. If you don’t believe me, you can read the rubrics from the Ordo Cantus Missae (scroll down to Number 2). Bishop Peter J. Elliott agrees the preference is for the priest to intone the Gloria.