About this blogger:
Cynthia Ostrowski holds a bachelor's degree in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi (2005). She is currently a stay-at-home mother of two children. A former GIS analyst, Cynthia's interests include photography, french horn, and singing polyphony.
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"In accord with no. 55 of the instruction of the Congregation of Rites on music in the liturgy (March 5, 1967), the Conference of Bishops has determined that vernacular texts set to music composed in earlier periods may be used in liturgical services even though they may not conform in all details with the legitimately approved versions of liturgical texts (November, 1967). This decision authorizes the use of choral and other music in English when the older text is not precisely the same as the official version."
— Catholic Bishops for the dioceses of the United States (November, 1969)

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Catholic Line Art, Black and White • Installment #36
published 1 October 2013 by Cynthia Ostrowski

EFORE THE CAMPION MISSAL could be published, it was necessary to collect, scan, sort, clean, and carefully digitize more than 300 religious line art drawings. Credit for this goes to Kristen Ostrowski, who combed through hundreds of 19th century Missals, Antiphonals, Breviaries, and Graduals from a Benedictine Abbey, meticulously extracting pictures that were still intact.

Today’s installment was used for the feast of Our Lady of the Most Holy Rosary.  Click directly upon the image to download a high resolution version for your Church bulletin.

ENSHRINED AMONG THE THOUSAND PAGES of the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass (ccwatershed.org/Campion) are approximately ninety (90) of these exquisite “woodcuts.” In my blog entries over the next year or so, I will be releasing hundreds of these pictures for general use by Catholics everywhere.