About this blogger:
Cynthia Ostrowski holds a bachelor's degree in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi (2005). She is currently a stay-at-home mother of two children. A former GIS analyst, Cynthia's interests include photography, french horn, and singing polyphony.
Connect on Facebook:
Connect on Twitter:
The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.
— Orby Shipley (1884)

ABOUT US  |  HEADER  |  ARCHIVE
Catholic Line Art, Black and White • Installment #21
published 18 June 2013 by Cynthia Ostrowski

EFORE THE CAMPION MISSAL could be published, it was necessary to collect, scan, sort, clean, and carefully digitize more than 300 religious line art drawings. Credit for this goes to Kristen Ostrowski, who combed through hundreds of 19th century Missals, Antiphonals, Breviaries, and Graduals from a Benedictine Abbey, meticulously extracting pictures that were still intact.  Contained in the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass (ccwatershed.org/Campion) are approximately ninety (90) of these exquisite “woodcuts.” In my blog entries over the next year or so, I will be releasing hundreds of these pictures for general use by Catholics everywhere.

ODAY’S INSTALLMENT comes from the Campion Missal, where it was used for the feast of Sts. Peter & Paul:


You will notice that the quotes are normally given in both Latin & English — a special feature we hope will be appreciated.