About this blogger:
Cynthia Ostrowski holds a bachelor's degree in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi (2005). She is currently a stay-at-home mother of two children. A former GIS analyst, Cynthia's interests include photography, french horn, and singing polyphony.
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“From six in the evening, his martyrdom had continued through the ghastly night until nine o'clock in the morning. After fifteen hours of torture rarely if ever surpassed in the bloody annals of the Iroquois, the soul of Gabriel Lalemant was freed from its charred and mutilated prison and summoned to join his comrade Jean de Brébeuf in the radiant splendor of God. March 17th, 1649, was the date; for Brébeuf it had been the sixteenth.”
— Fr. John A. O'Brien, speaking of St. Gabriel Lalemant

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Catholic Line Art, Black and White • Installment #27
published 30 July 2013 by Cynthia Ostrowski

EFORE THE CAMPION MISSAL could be published, it was necessary to collect, scan, sort, clean, and carefully digitize more than 300 religious line art drawings. Credit for this goes to Kristen Ostrowski, who combed through hundreds of 19th century Missals, Antiphonals, Breviaries, and Graduals from a Benedictine Abbey, meticulously extracting pictures that were still intact.  Contained in the St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass (ccwatershed.org/Campion) are approximately ninety (90) of these exquisite “woodcuts.” In my blog entries over the next year or so, I will be releasing hundreds of these pictures for general use by Catholics everywhere.

TODAY’S INSTALLMENT is an image of St. Joseph. This was not used in the Campion Missal, because we could not find a way to include all 300+ images.

Click directly on the image above to download a high resolution version for your Church bulletin.