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“In spite of what it is currently called, the music of these songs is not modern: this musical style is not new, but has been played in the most profane places and surroundings (cabarets, music halls, often for more or less lascivious dances with foreign names). The people are led on to rock or swing. They all feel an urge to dance about. That sort of “body language” is certainly alien to our Western culture, unfavorable to contemplation and its origins are rather suspect. Most of the time our congregations, which already find it hard not to confuse the crochets and the quavers in a 6/8 bar, do not respect the rhythm; then one no longer feels like dancing, but with the rhythm gone to pieces, the habitual poorness of the melodic line becomes all the more noticeable.”
— Unnamed choirmaster (Northern France) circa 1986
Cantiones Sacrae II • 15 Latin Motets
published 15 August 2013 by Kevin Allen

257 Cantiones Sacrae II Click here to purchase this 60-page book ($24.00)

1. Oculi Omnium • 2. Sepulto Domino
3. Intellige Clamorem • 4. Hodie Scietis
5. Hoc Corpus • 6. Sanctificavit Moyses
7. Jerusalem Quae Aedificatur
8. Qui Meditabitur • 9. Juxta Vestibulum
10. Scapulis Suis • 11. Gustate et Videte
12. Ave Regina Caelorum • 13. Tota Pulchra Es
14. Tristis Est Anima Mea • 15. Tantum Ergo

Promotional videos:   01   •   02

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PRACTICE VIDEOS:

Tantum Ergo:   EQUAL VOICES   •   SOPRANO   •   ALTO   •   TENOR   •   BASS

Hódie Sciétis:   EQUAL VOICES   •   SOPRANO   •   ALTO   •   TENOR   •   BASS

Sanctificávit Móyses:   EQUAL VOICES   •   SOPRANO   •   ALTO   •   TENOR   •   BASS

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