About this blogger:
Cynthia Ostrowski holds a bachelor's degree in Geographic Information Science and a minor in Computer Science from Texas A&M University Corpus Christi (2005). She is currently a stay-at-home mother of two children. A former GIS analyst, Cynthia's interests include photography, french horn, and singing polyphony.
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Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”
— Paul Hume (1956)

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Catholic Line Art, Black and White • Installment #15
published 22 April 2013 by Cynthia Ostrowski

EFORE THE CAMPION MISSAL could be published, it was necessary to collect, scan, sort, clean, and carefully digitize more than 300 religious line art drawings. Credit for this goes to Kristen Ostrowski, who combed through hundreds of 19th century Missals, Antiphonals, Breviaries, and Graduals from a Benedictine Abbey, meticulously extracting pictures that were still intact.

The St. Edmund Campion Missal & Hymnal for the Traditional Latin Mass (ccwatershed.org/Campion) contains approximately ninety (90) of these exquisite “woodcuts.” In my blog entries over the next year or so, I will be releasing hundreds of these pictures for general use by Catholics everywhere.

The following piece of line art was considered for All Saints in the Campion Missal:

          * *  7522 • All Saints Alternative • Religious Line Art   [download this pdf]

This image was not used in the Campion Missal because it was not possible to use all 300+ images. However, I still think it’s quite lovely.

You will notice that the quotes are given in both Latin & English — a special feature of the Campion Missal we hope will be appreciated.

* To learn more, you may want to visit the Campion Missal website [url].