About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.
— Paul Hume (1956)
The Mass Propers Have Gone Mainstream!
published 23 January 2012 by Jeff Ostrowski

Here is a very powerful article you might enjoy, published by author Daniel Lord on the Crisis Magazine website.

Two quick excerpts:
    “The Church put specific prayers and chants in place for every Mass many centuries ago, with the intention that we should sing them regularly and ritually: an Introit at the beginning, a Gradual and an Alleluia after the readings, an Offertory and a Communion.”
    “Musicologists have pointed out that the very form of metrical hymns, with their predictable upbeat and downbeat, tend to remind us of the passage of time and (by extension) the world. Whereas Gregorian chant, which is completely free in its rhythm, takes you into another world: prayerful, reverent, eternal, holy.”

Read the entire article.


You may or may not agree with everything the author says. Please feel free to comment directly on the Crisis website.