The subject of treatment of tonic accents in Gregorian chant will not really be featured in this series. That being said, some may find the following interesting:

Excerpt from a 1905 work by Dom Mocquereau and Dom Cagin

And here is the example he mentions:

Also, I’m not sure Pothier would have been happy with this description of how his Antiphonale was created:

Click here

Perhaps that also helps explain his letter to Widor a few years later . . .

What Are The Mass Propers? is an ongoing series dedicated to exploring the Graduale Propers and other aspects of the Catholic liturgy. The views presented here do not necessarily represent the views of Corpus Christi Watershed. Comments, advice, and criticism are welcome, and can be E-mailed. E-mails will be read, but cannot always be answered (due to time constraints). “AF” refers to Adrian Fortescue, The Mass: A Study of the Roman Liturgy (1912).
        Down through the centuries, the Church has carefully assigned beautiful prayers to each Mass. We call these prayers “Mass Propers” or “Graduale Propers.” Over the centuries, Gregorian composers have created unbelievably beautiful chant melodies for each prayer. Under special circumstances, Catholics are allowed to replace the sung Mass Propers with “some other chant.” Unfortunately, this practice has become so widespread that many Catholics go to Mass without hearing a single Mass Proper. It is difficult to understand why Catholic musicians would toss out these wonderful, ancient prayers . . . especially when they choose to replace them with uninspired modern texts in a secular musical style. Currently, the only pew book to contain the complete Mass Propers is the Vatican II Hymnal. Next time you hear a Catholic musician replace, for example, the Communion Proper or Entrance Proper, please consider asking, “What made you want to replace the sacred text assigned by the Church?”

Pictures of ancient manuscripts appearing in this blog come from various sources. The author has collected his own color photographs of manuscripts from libraries and monasteries in the United States and Italy. A Canadian chant scholar who has been taking photographs of MSS since the 1960’s has generously made his collection available as well, and the author is grateful. Some photographs also come from online archives hosted by libraries and universities the world over. All photographs are used with permission.