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"Father Antoine Daniel was a man of great courage and endurance, whose gentle kindness was conspicuous among his great virtues. […] Verily, he burned with a zeal for God more intense than any flame that consumed his body." — Fr. Paul Ragueneau
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“In spite of what it is currently called, the music of these songs is not modem: this musical style is not new, but has been played in the most profane places and surroundings (cabarets, music halls, often for more or less lascivious dances with foreign names). The people are led on to rock or swing. They all feel an urge to dance about. That sort of “body language” is certainly alien to our Western culture, unfavorable to contemplation and its origins are rather suspect. Most of the time our congregations, which already find it hard not to confuse the crochets and the quavers in a 6/8 bar, do not respect the rhythm; then one no longer feels like dancing, but with the rhythm gone to pieces, the habitual poorness of the melodic line becomes all the more noticeable.”
— Unnamed choirmaster (Northern France) circa 1986
Holy Thursday in Damascus
published 14 September 2010 by Corpus Christi Watershed


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