About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“More and more as we grow older, we find that the people we see most of are recent acquaintances; not (perhaps) very congenial to us, but chance has thrown them in our way. Meanwhile, the people we used to know so well—for whom we once entertained such warm feelings—are now remembered by a card at Christmas (if we can succeed in finding the address). How good we are at making friends, when we are young; how bad at keeping them! How eagerly, as we grow older, do we treasure up the friendships that are left to us, like beasts that creep together for warmth!”
— Msgr. Ronald Knox (1888-1957)
Rev. Bewerunge Attacks Pothier
published 23 November 2010 by Jeff Ostrowski

If you enjoyed reading Dr. Peter Wagner’s defense of the Vatican Edition, you need to read Bewerunge’s article (below). Rev. Henry Bewerunge was a choir director and organist (who, incidentally, loved to accompany Gregorian chant). Here is a sample:

The Sanctus of this Mass is not found anywhere. It seems to be Dom Pothier’s own composition. The same holds of the Sanctus No. III, and the Agnus No. II, of the Cantus ad libitum. Now there is not, of course, any objection to Dom Pothier or anybody else composing new pieces of Church music, and if they select to write in the style of the Gregorian music, they are at perfect liberty to do so. But I certainly think that such compositions ought to have no place in the Vatican edition, which purports to be a collection of medieval music.

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Rev. Henry Bewerunge Attacks Pothier