About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.
— Orby Shipley (1884)
How does Chabanel measure up?
published 20 November 2010 by Jeff Ostrowski

In honor of THIS BRAND NEW CHABANEL PROJECT (Nov. 2010), here is a special video that compares samples of Chabanel Psalms to other popular Responsorial Psalms:

CLICK HERE to view video at larger resolution

It will be noticed that the Chabanel Refrains follow the model of chant: free rhythm, Gregorian modality, no difficult leaps, and a limited range, easily singable by anyone.

The “typical” Responsorial Psalms are all rhythmically composed & rhythmically driven. Furthermore, they employ Major-minor tonality instead of the Church modes. They also use a lot of syncopation and hard skips.